Alexander Craig House Architectural Report,
Block 17 Building 5 Lot 55Originally entitled: "The Alexander Craig House (Vaiden House)"

A. Lawrence Kocher & Howard Dearstyne

1950

Colonial Williamsburg Foundation Library Research Report Series—1344

Colonial Williamsburg Foundation Library

Williamsburg, Virginia

1990

Alexander Craig House
Architectural Report
SM Comments

July 27/50
ALK Copy

[Hand-written Notes]

p. 6Include north point as on illus. p. 4.
p. 16Should be referred to as "restored" house. It is so termed on the final approved house label list and will be in the Guide Book.
p. 19Brick work "The new brick [add] where exposed to the eye were made etc. etc. [add] where hidden the brick is modern machine made...
p. 21¶ 2 "... and of reproduced brick work above" [add] where exposed to the eye
Bond of foundations. I have received in the Howard some questions concerning the ¶. I think we had better review together because the matter is too complicated to cover herein. From restudy of archaeological reports, notes, drawings and photos I think I can clarify the matter somewhat - particularly the "inconsistencies".
p. 22Curiously the chimneys are English bond. The foundation well behind the south chimney is and was Flemish whereas at the north chimney it is and was English.
p. 23Duke of Gloucester street is, embarrassingly, above its Colonial grade in this area. Also the ground about the house has raised throughout the years above its colonial level. Since the Raleigh Scrivener, Red Lion & Burdettes are accommodated to this modern grade, so also was the Craig House. If this doesn't agree with your findings perhaps we should discuss it together.
p. 25Should mention be made of the ancient path which as raised badly to the modern ground level and preserved just as it was. See progress photos and landscape plans.
p. 29¶ 2 "...the walls are plastered in the modern manner" [add] except that the finished surfaces are made to present a slightly wavy effect as in local colonial [illegible]
¶ 3 Originally the weatherboards would have been of yellow pine or local poplar. Gulf Cypress was used because it is more permanent - it being impossible now to procure pine or poplar of the same quality as in colonial times.
p. 39The brass finial has precedent from an 18th one in Old Court House [illegible]
p. 40See precedent for porch details in Coleman and other collections of early photos of Wmsburg in arch. dept. files.
pp. 43-44Handrails of rear porches copied from one on the Toddsbury, Gloucester Co., porch recently removed by an insane owner - not from Bruton
p. 44For solid porch railing, see Myers House rear porch (Norfolk) in large snapshot book in main drafting room as partial precedent. See remarks on front porch, St. Geo. Tucker House in architectural report. George Benett has seen examples in Penna., Mich. and Delaware. He suggests looking at Wallace's book on "Penna. Farmhouses"
p. 47Muntin and sash details are from original sash found in the building. (See FFF architectural field notes) See also arch'l drawings which show where old sash were reused. This should be mentioned in the report.
Should mention be made that upper sash are not fixed & that the bronze parting strip is for modern convenience & as inconspicuous as possible.
p. 49Interior trim of windows where double molded was copied from pieces of original trim found in the bldg. Ditto for doors. The single molded trim was adapted from it.
p. 51Should it be mentioned that Maine farm has disappeared?
New interior door panel molds are copied from original doors found in bldg. See arch'l drawings for those frames & trim which were original and were reused in whole or in part.
Exterior door trim not from bldg but elsewhere.
p. 53The Craig, Scrivener, Red Lion & Burdettes are all above their colonial levels.
p. 53Floor nails It was common to use face nails in the large heads as stated, but these were then hammered on each side to produce a thin, roughly rectangular head: [sketch of two nails] which the New York cut nail we use resembles [sketch of a nail]
p. 54Floor Boards
T & G joints were most common - as were splined joints and dowels were often used with either type. I doubt if butt joints can be found except in attics or unimportant areas or in minor outbuildings. This is because they had no underfloor.
p. 58The preced3ent for the Hall arches should be mentioned: Milberry Fields, St. Mary's Co., Md.
p. 76Step nosing. F.S. taken from miscellaneous colonial fragments of steps found on the site during archaeological work.
Generalmantels should lighting fixtures be mentioned - interior & exterior?
Hardware (p. 64) A note should be made that the [illegible] cut doors D-1 thru D-5 [illegible] have entirely modern stock hardware. archl' door schedule On windows a western stock fastener is scheduled: it is not colonial but is inconspicuous.
Screens Some reference (to glossary or otherwise) should explain this compromise on exterior doors, basement & other windows.

ARCHITECTURAL REPORT
THE ALEXANDER CRAIG HOUSE
(VAIDEN HOUSE)
(Reconstructed)
Block 17—Colonial Lot #55

RR134401 ALEXANDER CRAIG HOUSE AS SEEN FROM THE SOUTHWEST. THE PAINT-COVERED OLD PORTIONS OF THE WEST CHIMNEYS ARE EASILY DISTINGUISHABLE FROM THEIR UNPAINTED SHAFTS. MARKINGS FOUND ON THE SOUTH SIDE OF THE SMALLER CHIMNEY FORMED THE BASIS FOR THE RECONSTRUCTION OF THE WOOD CLOSET LEANTO.
Photograph of Alexander Craig House

i

ARCHITECTURAL REPORT
THE ALEXANDER CRAIG HOUSE
(VAIDEN HOUSE)
(Reconstructed)
Block 17—Colonial Lot #55

The Alexander Craig House was reconstructed under
the direction of the Department of Architecture of
Colonial Williamsburg, Inc. Perry, Shaw & Hepburn,
Architects, acted as consultants.
Reconstruction was started May 6, 1941.
Reconstruction was completed April 1, 1942.
A. Edwin Kendrew, Director of
the Department of Architecture
Singleton P. Moorehead, Assistant
Director and Designer.
Washington Reed—Head Draftsman
Finley F. Ferguson—Draftsman
C. Vaughan Holmes—Draftsman
Research Report (July 19, 1939)—Hunter D. Farish
Archaeological Drawings (March 2, 1940)—James M. Knight
Archaeological Report (August, 1941)—Francis Duke
This report was prepared by A. Lawrence Kocher and Howard Dearstyne
for the Department of Architecture (Architectural Records).

June 12, 1950

1

THE ALEXANDER CRAIG HOUSE
(VAIDEN HOUSE)
Block 17—Colonial Lot #55

RR134402 OLD PHOTOGRAPH SHOWING FRONT OF ALEXANDER CRAIG HOUSE, AND AT THE RIGHT, THE SCRIVENER HOUSE, AS THEY APPEARED SOMETIME AFTER 1900. THE SECOND STORY OF THE CRAIG HOUSE AND THE PORCH REPRESENT 19TH CENTURY ALTERATIONS. THE GLAZED DOORWAY AT THE RIGHT IS THE ENTRY TO A SHOP WHICH HAD PERSISTED IN THIS LOCATION FROM ABOUT 1735.
Photograph of Craig House ca. 1900

The Craig House is a one and one half story, reconstructed, frame structure with a modified A roof. It is located on Colonial Lot #55 on the north side of Duke of Gloucester Street between the Raleigh Tavern and the Scrivener House. Colonial Lot #55 extended 82'-6" along Duke of Gloucester Street and through to Nicholson Street (about 261'-0"). The exact location of Colonial Lot #55 is uncertain (see discussion of the problems arising in the location of Colonial lot lines in Block 17, 2 on page 3 of the Archaeological Report on the Vaiden House Site prepared by Francis Duke in August 1941). The line accepted, until further evidence is forthcoming, as the western boundary of Colonial Lot #55 coincides with the east end of the Raleigh Tavern. The modern lot (the Lucy Vaiden property) extended 117.35 feet eastward from the east end of the Raleigh Tavern, thus occupying the whole of Colonial lot #55, in addition to some 35 feet of Colonial lot #56. The western wall of the old foundation and of the present building which was placed upon it, is about 35'-0" from the west Colonial lot line. From this point the building extends 51'-6" eastward, thus overlapping the line which has tentatively been accepted as the east Colonial lot line. The building is about 7 feet from the street line of Duke of Gloucester Street at its east end and about 8 feet at the west. It extends 30'-7" northward.

From evidence found in the foundations after the building was demolished and in the framing of the house in the course of demolition, the original eighteenth-century house in the Alexander Craig site was built in several successive stages. Facts contained in deeds recorded in the deed book of York County, advertisements in the Virginia Gazette and other documents from 1712 to ca. 1800* also support the supposition that the house was erected at different periods. A chronological summary# of the essential facts contained in the above-mentioned documents is presented here for the light it may throw on the dates of erection of the various parts of the house.

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CHRONOLOGICAL SUMMARY
1712Lot 55, previously owned by Jacob Flournoy, bought by Susannah Allen, "with ... houses, buildings ..."
1716Tavern licensed by Susannah Allen.
1717Lot 56, previously owned by Wm Wharton, bought by John Marot, with "mansion or dwelling house ..."
1735Lot 55 bought by John White, who sold to John Wagnon 480 square feet of it, "beginning in the Southeast corner of the said lot and measuring thence twenty feet on the front line and twenty four feet backwards." Wagnon built a small wigshop.
1736Andrew Anderson, wigmaker, bought the wigshop.
1737John Pasteur, barber and peruke maker, bought balance of lot 55.
1738Gabriel Maupin, tavern keeper, bought Pasteur's holding.
1745A 30-foot strip forming the western part of lot 56 "and all houses, buildings ..." was deeded to James Shields, ordinary keeper and husband of Anne Marot.
1752Wm. Peake bought the wigshop, which had been improved and probably enlarged by Anderson, and carried on the business.
1755Peake sold the shop to Alexander Craig, sadler.
1762Joseph Scrivener, merchant, bought Shields' 30-foot strip, "whereon is a storehouse and other outhouses ... and all houses, outhouses, buildings ..."
1771Craig bought Maupin's tract, giving him sole ownership of lot 55.
1772Scrivener's death. Inventory indicates stock in trade.
1776Craig's death. His will is the last definite information until recent times.
1782The Frenchman's map shows, east of the Raleigh Tavern, a small building which might be a survival from Susannah Allen's tavern (at least it is near the probable location of the tavern), and a large building which might be the structure later known as the Vaiden House. The next structure might represent the Scrivener Shop, though it is very small indeed.
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1782 continuedFuture investigation on the site of the Victoria Lee House may confirm or cast doubt upon this chain of identities.
c.1800Real estate plats show "Galt" in lot 55 and "Greenhow" in lot 56. But a chain of evidence drawn from insurance policies of 1802-1815 points to the conclusion that Galt occupied not only lot 55, but also about two-thirds of lot 56, leaving only the eastern third to Greenhow. If this is the true conclusion, then Greenhow's name does not properly appear in the history of archaeological area G.
Later records of the exact year are not available—the Galt property seems to have passed into the hands of Barlow and later of the Vaiden family. It is not certain that there was not an intervening owner. Miss Vaiden states that her grandfather, Mr. Barlow, bought the house as a young man (c. 1840), and opened store after remodeling the southeast front.

RR134403 THE ALEXANDER CRAIG HOUSE & LOT AS SHOWN ON THE FRENCHMAN'S MAP.
Section of the Frenchman's Map

THE OLD FOUNDATIONS DISCOVERED ON LOT #55

Thorough excavations were carried out on Colonial lot #55 in 1940. The foundations uncovered were recorded on a survey map made of the site in March 1940 by James M. Knight (see p.6) and detailed analysis of these foundations was incorporated in the previously-mentioned Archaeological Report made by Francis Duke. The summary of facts concerning the foundations presented below is derived from these two sources. For a fuller consideration of the foundations the reader should consult the survey map and the Archaeological Report.

For the purposes of this report the foundations found on lot #55 will be grouped into four general areas, vis., I, the foundations uncovered at the southwest corner of the lot, comprising the groups designated "A", "B", and "C" on the survey map; II, the foundation of the house proper, designated "D"; III, the foundations directly to the rear of the 5 house, designated "E", "F", and "G"; and IV, the foundation at the north end of the lot, "H", "J", and V, an old foundation at the northwest corner whose exact period of construction has not been determined.

I ("A", "B", and "C"). The foundations found in this group are thought to be the earliest on the lot and consequently may have represented remains of a building or buildings built by Jacob Flournoy and used by Susannah Allen as a tavern. Area "A" was an extensive area of paving within the Alexander Craig House foundation at the west end and two feet below the basement floor. This may have extended beneath the west wall of the Alexander Craig house into area "B."

Area "B."The foundations in this group extended from about 3'-6" west of the wall of the house to within about 6 feet of the west boundary of the lot. They were about 20 feet across from north to south, extending about 7 feet south of the south wall of the house. The salient features of these foundations were a chimney foundation against the north wall on the inside, and due south of this, outside the south wall, three foundation walls which may have formed the outline of an entrance stoop. Francis Duke believes it possible to consider the chimney and stoop as the center axis of a building 40 feet or more in length, the eastern portion of which extended into the area which later came to be occupied by the Alexander Craig House. This may have been Susannah Allen's tavern, since it was the last structure standing on the street-front on lot #55 before the Alexander Craig House was built. (See photo p. 8).

At the northwest corner of the Alexander Craig House was a cellar foundation ("C"), 16 x 16 feet in size, with brick paving and bulkhead type steps at the center of its east wall. This foundation centered on the stoop and chimney of the tavern, and may have been the north end of a wing of the latter, forming the leg of a T plan, or it may have been one of the two 6 RR134404 Composite Plan of Craig House 7 as-yet-unidentified outbuildings shown at the rear of the Alexander Craig House on the Frenchman's map (1782). (See photo, p. 8)

II Area "D." the Craig House. This foundation or group of foundations was about 50'-10" long by 30'-8" wide. The southwest corner was about 34'-8" from the west line of Colonial lot #55 and 8'-9½" from the north line of Duke of Gloucester Street. The foundation was not quite parallel with the street, its southeast corner being 6'-9½" from the street line.

The rectangular mass of the foundations was built up during Colonial times in four or five installments, the general sequence of which can be deduced from archaeological evidence weighed against historical evidence. The oldest part of the foundation were the walls of the southeast corner space or room which measured 16 feet from north to south and 19 feet from east to west (outside dimensions), and were 13 inches thick. Since Wagnon bought the corner property for £15 and sold it for £40, and since the foundation walls were confined within this original "dividend" of 20 x 24 feet, this room may with confidence be dated during Wagnon's occupancy, between 1735-1736.
RR134405 OLD BASEMENT OF THE ALEXANDER CRAIG HOUSE VIEWED FROM THE SOUTHEAST. THE CORNER FIREPLACE, FREE-STANDING PIER AND THE WALLS NEAREST THE OBSERVER DEFINE THE OLDEST PART OF THE HOUSE, I.E. THE SITE OF WAGNON'S WIG SHOP OF 1735. 8 RR134406 THE FOUNDATIONS (AREA "B")OF WHAT WAS POSSIBLY SUSANNAH ALLEN'S TAVERN, WHICH MAY HAVE STOOD ON THE LOT AS EARLY AS 1712. THE OBSERVER IS LOOKING EASTWARD TOWARD THE WEST END OF THE UNRESTORED ALEXANDER CRAIG HOUSE. RR134407 BASEMENT PAVING AND STEPS OF AN OUTBUILDING OR OF WHAT MAY HAVE BEEN A PORTION OF SUSANNAH ALLEN'S TAVERN. 9 The most prominent feature of this room was an inside corner chimney in the northeast corner, which was coupled with a second corner chimney in the later room to the north.

South Central Room

The first addition to the Wagnon shop was either the space to the west (referred to in Duke's report as the "south central room") or that to the north (the "northeast room"). Duke concludes that the south central room was built first because of evidence found in the brickwork of the west wall of the shop, and for other reasons. The foundations of this room enclosed an area approximately 15'-6" wide by 15'-0" deep. The south wall of the room was 9" thick and the east and north walls 13 inches, but the latter were probably replacements of earlier 9" walls. Outside the south wall near the east end was the foundation of an early stoop, while further west and overlapping this was the foundation of a later entrance. This was on the center line of a rear foundation of the same period.

Northeast Room

It is not known with certainty whether the next addition was the southwest or northeast room. Duke thinks that the Susannah Allen tavern stood until 1771 and that the southwest room was not added until that date or later. He believes, on the other hand, from evidence found in the brickwork of the northeast room and for other reasons, that the latter room was built before 1752. The inside dimensions of the northeast room were approximately 16'-9" (width) by 13'-3" (depth). The walls are 13" thick. The south wall of the room consisted only of a pier and a wing wall jutting from the corner chimney mentioned previously. There were three basement windows in the room, all of them late and 10 all of which had been bricked up. In the west wall was an original door opening which had been closed up.

Southwest Room

The southwest room as before noted, was probably built after 1771. It was about 14'-6" square. The original walls of this space were 9" above and 13" below. This room originally had no basement but one was later excavated. The foundations of the larger of the two chimneys of the west wall of the house was incorporated in the west wall of this room. The early paving ("A") found in the west portion of this space has already been discussed.

North Central and Northeast Rooms

The entire northwest corner of the L formed by the northeast room and the three south rooms seems to have been filled in at one time by the building of two rooms at the north center and the northwest corner. The house had now assumed its final shape (as of the colonial period) with a full basement and six medium-
RR134408 VIEW SHOWING BULKHEAD STEPS AND JOINTS OF ONE-TIME EXPOSED WEST WALL OF ORIGINAL SHOP ON EASTERN PORTION OF LOT. 11 sized first floor rooms. It is not known when these rooms were added but Duke believes it most likely that they were built between 1771-9. The most conspicuous feature of the foundation walls of the northwest room is the smaller of the brace of chimneys of the west wall of the house. Outside the north wall of the north central room at the northeast corner was a bricked-in bulkhead opening, and beside it a 9-inch stoop foundation centering on the front stoop foundation already mentioned.

III ("E". "F". "G"). The foundations in this group comprise those of a well and well house, designated "F" on the survey map; a kitchen, "E", and a garden walk, "G." The well and well house were located directly north of the east end of the house and almost touched the north wall of the "modern" northeast extension. This has been designated the "third well" since two earlier, filled-in wells were also found on lot #55. It was still in use in recent times.

The kitchen stood directly north of the house, its south wall being within about 11 feet of the north wall of the well. The kitchen was built at two or three periods. The earliest part of it was about 20 feet long and 12 feet wide and had a chimney with a fireplace opening 3 x 6 feet at its west side. Fragments of foundation walls to the south and east indicated that the building was extended in these directions at a later date. Another addition of unknown date was a shed 8 feet in depth on the north side of the kitchen. A patch of paving west of the fireplace indicated that the earliest kitchen was brick floored and another south of the south wall was probably the remains of a walk joining the kitchen with the house.

The brick walk, "G", began about 11 feet west of the west wall of the kitchen and extended about 150 feet northward almost to the northern 12 boundary of the lot. This walk was 3½ feet wide and was composed of brick-bats with a few cobblestones interspersed among them. The walk was edged with stretchers.

IV.This group of foundations ("H", "J", and a foundation at the northwest corner, undesignated by letter on the survey map) were all located at the north end of the lot. The foundation at the northwest corner was that of an unidentified building 12 x 16 feet in extent, with an area of packed clay 10 feet square at its east side, which may once have been the floor of the shed. This was probably a service building of the Alexander Craig although, since we are still uncertain of the position of the line between lots #54 and #55, it may have stood on the Raleigh Tavern lot and have been one of the Tavern outbuildings.

Near the center of the lot, along the northern boundary, was an area "H" of a badly-broken brick paving and short stretches of fill indicating the position of a 9-inch brick foundation. In Duke's opinion this may have been the remains of a building about 24 feet long, possibly the Alexander Craig stable.

Foundation "J", at the northeast corner of the lot, consisted of remnants of two 9-inch brick foundation walls forming the northeast corner of an early outbuilding which may have been a coach-house. What the size of this building was is unknown, since the evidence was destroyed by later foundations.

CONDITION OF THE HOUSE BEFORE RESTORATION

The Alexander Craig House before its restoration was a two-story house with a low-pitched (34½°) A-roof with gable ends. The dimensions of the house proper were essentially those of the old foundations, being 51'-7½" (width) x 30'-7" (depth). It had a two-story front porch of late nineteenth-century design on the south (street) elevation. This was not centered 13 on the front facade but, starting about 11'-7" from the west corner of the building, ran 22 feet to a point slightly beyond the line of the east wall of the stairhall. The porch was doubtless placed off-center because of the existence of a shop in the southeast corner of the building. A photograph (see p.1) taken sometime after 1900 shows a glazed door flanked by a glazed fixed panel leading to the room at the southwest corner of the house. This was doubtless at one time the entrance to the shop. Miss Lucy Vaiden in 1940 further confirmed the existence here of a shop in a statement that her grandfather had at one time conducted a store here and had had his "counting room" at the north end of this.

A one-story leanto whose east wall was continuous with the east wall of the house and whose width (19'-5") was the same as that of the "shop" extended to a depth of 20'-2½" to the rear of the back (north side) of the house. Adjoining the leanto to the east was a one-story, enclosed porch 10'-2" in depth and 17'-7¾" in width with three steps leading to the rear yard. A foot-and-a-half to the east of the east side of this porch was a
RR134409 REAR VIEW OF THE ALEXANDER CRAIG HOUSE BEFORE ITS RESTORATION SHOWING, AT THE LEFT, THE LEANTO ADDITION AND, AT THE RIGHT, THE BULKHEAD ENCLOSURE. THE PORCH HAS BEEN REMOVED BUT ITS POSITION CAN BE SEEN IN THE MARKINGS ON THE WEATHERBOARDING OF THE HOUSE AND LEANTO. 14 RR134410 THE PHOTO ON THE RIGHT SHOWS THE CONDITION OF THE WEST CHIMNEYS OF THE ALEXANDER CRAIG HOUSE BEFORE THEIR RESTORATION. THE UPPER PARTS OF BOTH CHIMNEYS HAD BEEN ALTERED AND THEY WERE CONSEQUENTLY REMOVED AND REBUILT (SEE TEXT). THE LEFT-HAND PICTURE SHOWS THE NORTH CHIMNEY THE OUTLINE OF THE WOOD CLOSET LEANTO WHICH ONCE EXISTED BETWEEM THE TWO CHIMNEYS. THIS EVIDENCE WAS THE BASIS FOR THE RECONSTRUCTION OF THE LEANTO. roofed bulkhead 6'-6" wide, 4'-10" deep and 5'-0" high enclosing an outside basement stair. The west wall of the house had a brace of chimneys serving two fireplaces on the first and two fireplaces on the second floor of the house. (See p.13) These chimneys were slightly different in height, the south chimney rising about three inches higher than the north to a point 3'-2" above the comb of the roof. These chimneys were different in width and depth; their set-backs were different in character and at different levels; and both stood free of the house, but at different 15 points in their height, the south chimney becoming detached from the house at the point 6'-8" above the finished second floor line and the north chimney at a level of 13'-2" above the second floor line. The brickwork of the south chimney was old to a point 11'-0" above the finished first floor lone and that of the north chimney to a height of 9'-8" above the first floor, while the brickwork above was of later date. When, on being restored, the house was cut-down to a story-and-a-half, this old brickwork was retained and the later portions replaced by new chimneys of different design above the points where the old brickwork terminated. The field architects also found indications in the old brickwork of the south chimney of the previous existence of a shed 2'-8" in depth extending from chimney to chimney. The inclined roof of the shed rose to a height 8'-8" above the finished first floor of the building. This formed the basis for the building of the weather-boarded shed in the restored house.

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ANALYSIS OF THE HOUSE PLAN

RR134411 Craig House Floor Plan

The plan of the first floor of the reconstructed Craig House follows in general the foundation plan but many changes have been made in what must have been the original positions of the partitions in order to accommodate the interior to the uses of modern living. The plan of the first floor of the house is a plan with a central hall flanked on either side by a pair of rooms. The two east rooms now serve as dining room and kitchen, the two west rooms as living room and bedroom. Between the kitchen and the rear hall are a storeroom and pantry and the kitchen has a recessed cabinet on its south side and a door to the outside in its north wall. Between the bedroom and the rear hallway are a bathroom, and a clothes closet 17 accessible from a vestibule leading to the bedroom. The dining room has a corner fireplace at the northeast corner of the room and the living room and bedroom each has a fireplace approximately centered on its west wall. The hallway is divided by a pair of archways into two parts, a 12-foot wide front hall and a 10'-6" wide rear hallway. The front door of the house is located about a foot east of the west wall of the front hallway, and two feet to the right of the door opening starts a "mixed" stairway, consisting of a short flight of three treads moving eastward, followed by a right-angle turn of three winders, followed in its turn by a straight run of six risers against the east wall of the hallway. A cellar stair begins in the northeast corner of the front hallway and runs under the main stair to the basement. The rear hall has a doorway located about a foot east of the west wall of the hallway. Because of the reduction of width of the hallway at the rear the front and rear doors are not lined up with each other. A second front entrance, a 4-foot door of two valves, is located at the center of the north wall of the dining room. This represents the entrance to the old shop.

The second floor of the house has two bedrooms, one on either side of the center hallway. The west bedroom has a fireplace in its west wall and the east bedroom a corner fireplace in the northeast corner. Each bedroom has a pair of dormers in front and a single dormer at the rear and a line of closets extending across the entire rear wall except for the space occupied by the dormers. The hallway is lighted by a rear dormer window flanked by a pair of closets. A bathroom lighted by a dormer window occupies the space between the stairway and the west wall in the front half of the stairhall.

18

Because of the modern features incorporated in the plan only two partitions of the first floor stand above the original foundations of the house (see archaeological plan, p.6), viz., the north-south partition separating the dining room and kitchen area from the hallway, and the east-west partition line (interrupted by openings in the hallway, kitchen and pantry) separating the living room from the bedroom, the front from the rear hall and the dining room from the kitchen area. The north-south partition stands above the west wall of Wagnon's shop and its extension, the "northeast" room. The transverse partition line follows fairly closely the foundation line below, which, as has before been noted, is a broken one. The partition between the living room and bedroom rests directly on the foundation between the southwest and north-west rooms, which is a continuous one, but extends about 5 feet beyond this to the east. The rear arch of the two archways in the hall and the rear wall of the hallway closet are directly above the two piers which constitute the continuation of this foundation line between the "south central" and "north central" rooms. The previously-mentioned pier and wing wall extension of the chimney foundation between the "northeast" and "southeast rooms" lie about 6" to the south of the foundation line in the spaces to the west, so that the partition line at the south wall of the kitchen above falls slightly to the north of them.

The chimney of the dining room is a new chimney, built, however, directly above the old foundations while the chimneys of the bedroom and living room are the old chimneys with new fireplace openings.

The dimensions of the plan are as follows: length, 51'-6", width 30'-7".

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DETAILED DISCUSSION OF EXTERIOR

BRICKWORK

The brickwork used in the construction of the house is found in the following features:

  • a.Foundations, which include the foundations of the house walls, the chimneys, the porches and the bulkhead.
  • b.The three chimneys.
  • c.The base-of-the wall gutters at the front and rear of the house.
  • d.The hearths of the five fireplaces.

All of this brickwork is new except for a part of the brickwork of each of the two west chimney stacks which is old. The new brick were made in a kiln in Williamsburg using the same materials and methods employed in brickmaking in the 18th century, in an attempt to give the brick, as far as possible, the quality and appearance of colonial brick.

The mortar found in the old brickwork is oyster shell lime mortar and the same type of mortar was also used in laying up the new brickwork. In the case of both old and new brickwork the joints are tooled.

Brick Color

The remaining old brickwork of the house, i.e., the old brickwork of the two west chimneys, was covered with gray paint when the restoration of the building was started. This gray color was left on the old brickwork whereas the new bases and tops of the chimneys were left unpainted.

The new brickwork varies considerably in color. The color ranges from a light salmon to a deep salmon buff. There are a few dark 20 toned and completely glazed headers. No rubbed brick have been used on the house.

Brick Sizes

The diagrams below give the average sizes of the brick found, first, in the old parts of the west chimneys and second, in the new masonry of the foundation walls. The sizes shown were obtained from measurements made on the job and in each case they are a summary of several measurements made at different points.

RR134412 Drawings of Old & New Brick Sizes

21
Foundations

The foundations are new throughout. The old foundations (see archaeological drawing, p. 6 and photo, p. 7) were in such poor condition that it was considered unwise to attempt to retain them.

The new foundation walls of the house proper are of concrete below grade and of reproduced brick above. The concrete walls rest on concrete footings. The porch foundations are of brick below as well as above ground, and they are without footings.

The bond of the house foundations is partly English and partly Flemish. To aid in making it appear that the east or "shop" portion of the house is the older part, its foundations (on the south, east and north elevations) have been laid in English bond, the type generally used in the older colonial foundations. Under the remainder of the front elevation and on the west side elevation, from the southwest corner to the south chimney, Flemish bond, a type which, when used in foundations, generally represents later colonial brickwork, has been used. There are, it seems, however, certain inconsistencies in the use of the two types of foundation brickwork to express differences in age in the several parts of the house, for English bond (again, the older type) was used on the north elevation under the northwest portion of the house, which is believed to be later. English bond was also used under the west closet leanto, which is either the same age as the west wall (which is partly Flemish bond) or later. To be consistent these later features should have had foundation walls in Flemish bond.

Chimneys

Two free-standing chimneys, the pair on the west side of the house, were in existence when the restoration of the house was begun. 22 The foundation of a third chimney (on the east side) was likewise found but the chimney itself was no longer in place. (See photo, p. 7).

The west chimneys were in large part old though their upper portions had been rebuilt, probably at the time the house was altered from a 1½-story to a 2-story building. (See photographs and description of west chimneys as they existed prior to the restoration of the house, pp. 14 and 15). These chimneys were restored, the upper part of the shafts and the caps being rebuilt in accordance with the spirit of 18th century chimney design. The chimney cap of the north chimney, the smaller of the two, consists only of three projecting courses of brickwork, a chimney cap design which was found on a chimney of Wynne, a house in the vicinity of Carter's Grove in James City County. The cap of the south chimney is more elaborate in its design, having three projecting bands of brickwork, of which the third or top band is made up of a double brick course. A sloping cement wash above this terminates in a final single-course band which lines up with the brickwork of the chimney shaft. The design of this chimney shaft follows closely that of the chimney of the small building known as "Casey's Gift" which once stood in Williamsburg. RR134413 ONE-HALF OF WEST ELEVATION OF RECONSTRUCTED CAP OF SOUTH CHIMNEY OF WEST SIDE. THIS FOLLOWS DESIGN OF CASEY'S GIFT CHIMNEY CAP.
Drawing of Chimney Cap

Before closing the subjects on the west chimneys it should be noted that though they are preponderantly of old brickwork which was not taken down and relaid, they were nevertheless raised bodily about 1'-6". They were underpinned, raised and placed upon new brick foundations. This was done in 22a RR134414 Paired chimneys of the type found in the Alexander Craig House are fairly common in old Virginia houses. The photo at the left (the Pendleton House, Caroline County) shows such a "brace" of chimneys, with a wood leanto between.
Photograph of the Pendleton House
RR134415 The drawing below shows the plan and side elevation of a house near Locust Grove, King and Queen County, which has a brace of chimneys consisting, like the Alexander Craig example, of one larger and one smaller stack. The closet leanto, unlike that of the Craig house, is of brick in this case.
Drawing of House Near Locust Grove
23 consequence of the raising of the level of Duke of Gloucester Street about 1½ feet at this eastern and in order to bring it to its former colonial level. The entire house, in fact, was raised in order to restore the floors to what was believed to have been their colonial level and the chimneys were necessarily raised at the same time so that the fireplace hearths would be level with the floors. The present height of the first floor is approximately 2'-4½" above the restored colonial grade. One less fortunate consequence of the raising of the floor levels is the elevation of the front cornice of the Alexander Craig House above that of the Scrivener House, which nearly touches it on the east. The floor levels of the Scrivener House were not raised as were those of the Alexander Craig House.

The east chimney, a T-shaped chimney built within the east wall of the house, is, in its entirety, reconstructed. It serves a corner fireplace in the northeast corner of the southeast room of the first floor and a similar though smaller corner fireplace in the bedroom directly above, and it also houses the boiler flue. It is located on the site of the old east chimney foundation which still existed when the reconstruction of the house was begun. (See photo of old basement foundations, p.7 and plan of excavated foundations, p.6.)

The necessity of caring for three flues would not in itself have justified the use of the T shape, since these could have been incorporated in a rectangular stack. The stack was given its T shape (a 17th century chimney form which persisted into the next century) to emphasize the fact that the east portion of the house was originally older than the west portion.

The chimney cap (see illustration on next page) has beneath its double projecting band an interesting feature, viz., a course of 24 RR134416 CAP OF T-SHAPED CHIMNEY OF ALEXANDER CRAIG HOUSE SHOWING BRICK COURSE LAID IN "DOG-TOOTH" PATTERN (BRICK "COGGING").
Drawing of Craig House Chimney
brick laid diagonally, which lends vivacity to the cap through its pattern of alternating rectangles of light and shadow. This motif is known as a "dog-tooth" pattern or "cogging"* brick, as it was called in the 18th century. An old Virginia chimney the cap of which has cogged brickwork is a chimney of Warburton Place in James City County. In this case there are two rows of cogging beneath a triple-coursed projecting band of brickwork.

Brick Paving

The rather extensive areas of old brick paving which were uncovered on the Alexander Craig plot in the course of the excavations conducted there have already been discussed—see text, pp. 5 and 11, archaeological plan, p.6 and photo, p.8. None of this old brick paving has been retained.

Aside from fireplace hearths, no brick paving has been used inside of the reconstructed house. A large service area directly behind the 25 house has, however, been paved with reproduced colonial brick in "basket" pattern and in the garden areas at the west and north (rear) of the house a network of brick walks has been laid in running bond. The central walk of the series at the back leads directly from the service area to the gravel-covered stable yard at the rear of the lot. For the layout of the paved areas on the Alexander Craig plot the reader should consult landscape drawing, L3.

Brick Ground-level Gutters

Remnants of brick ground-level gutters or drips were found along the north foundation wall of the house between the center line of the building and the northeast corner. It was assumed from this that the house, like several others in Williamsburg, had these surface gutters adjacent to the foundation walls to receive the rain water from the roof. Such drains prevent the water from pitting the ground surface next to the building and seeping down into the foundations and thence into the basement. Surface gutters of this type have, therefore, been placed about the Alexander Craig House at the points where they are needed, viz., on the north and south sides beneath the eaves. These gutters are necessarily interrupted at the points where stoops and the bulkhead occur. At each side of the house the gutters are pitched toward drains, through which the rain water is carried into gutter drain piping emptying into the house sewer.

Brick Hearths

See mantel schedules for a description of the hearths.

STONEWORK

The stonework used in the house is confined to the three stone steps at the main entrance. These are solid rectangular blocks of Indiana limestone (a substitute for the Purbeck or Portland stone used in colonial 26 RR134417 PROFILE OF STONE NOSING OF FRONT ENTRANCE STEPS. times) with molded nosings cut to the profile shown in the adjacent sketch. This nosing profile is similar to a number of stone step nosings found in old Virginia houses. As examples, the nosing profiles of the stone steps of Carter's Grove, James City County; Westover, Charles City County and Blandfield, Essex County may be mentioned, as well as those of the President's House and the John Blair House in Williamsburg. The steps of the latter are said to have formed originally the entrance stoop to the first Williamsburg theater, which was located on the Palace Green.

WALLS

The Alexander Craig House is a wood-framed building, covered on the exterior with weatherboarding on all faces except the east part of the north front (the portion which represents the old shop) which has flush beaded boarding. The framing and exterior covering are new throughout.

At the time the reconstruction of the building was begun, the building was, of course, a two-story structure. Naturally, it had to be cut down to make of it a story-and-a-half house, the type it had been before a second full story was added to it sometime in the 19th century.

The old wood frame

Among the progress photographs made during the course of the demolition of the existing house are several views showing the framing 27 RR134418 OLD NORTH WALL FRAMING OF SOUTHWEST ROOM SHOWING CLEAVAGE IN STUDDING WHICH INDICATED TWO DISTINCT PERIODS OF CONSTRUCTION. of the first floor. (This timberwork, by the way, was considered insecure, and it was therefore replaced by new framing.) A study of the old framing revealed certain important facts which, in general, supported the thesis derived from a study of the foundations that the building was built at different periods, and it also aided in establishing the locations of the openings of the 18th century structure. One view (progress photo N6598) a photo made in the hallway, clearly shows a joint between the framing of what the foundation evidence indicated at the old east portion and the addition to the west. Progress photo N6597 (shown above) reveals a distinct cleavage in the vertical framing of the north wall of the southwest room. Another photo (see next page), a view of the west wall of the same room, bears witness to the fact that there were no windows in that room (the studding is unbroken by notches which if they existed, would signify that the horizontal members of the window framer had at one time been inserted in the wall.) Progress photo N6601 (see next page), a shot of the southeast 28 RR134419 OLD WEST WALL OF SOUTHWEST ROOM BEFORE ITS DEMOLITION. NO NOTCHES, SUCH AS THOSE WHICH WOULD BE LEFT AFTER THE REMOVAL OF WINDOWS, ARE VISIBLE IN THE STUDDING, INDICATING THAT THIS WALL NEVER HAD ANY OPENINGS IN IT. RR134420 OLD FRAMING OF SOUTHEAST ROOM, LOOKING SOUTHEAST. NOTCH, INDICATED BY ARROW, GAVE CLUE TO LOCATION OF OLD SHOP DOOR. 29 room, shows at the upper right a notch in a stud which once received the door head. The framing of the east wall offered proof, since no notching was discovered, that no window existed in that wall in the 18th century (the east window shown in the picture was a late intruder).

The walls as reconstructed

The walls of the reconstructed house, both exterior and interior, are new throughout, as was stated above. Since the framework is wholly concealed, present-day framing methods have been used in their reconstruction. Except for certain sheathed walls, which are discussed in the section of the report dealing with the details of the interior, the interior walls and the inside faces of the exterior walls are plastered in the modern manner, using three costs of commercial plaster over metal lath.

The outside faces of the exterior walls, as has been remarked, are covered for the most part with beaded weatherboarding of heart cypress. The weatherboards have been given an exposure of from 5-¾" to 6". The boards are face-nailed with hammered-headed wrought iron nails. The bead at the bottom of these boards which are at the window sill level, have been made to line up with the beaded lower edge of the sills.

The one-time shop front (the east part of the south facade) has been rendered distinct from the remainder of the street face of the house by being covered with random-width, flush, beaded boarding, applied horizontally. There was a good basis for this, since the remodeled two-story house at the time (sometime after 1900) when the photo on p. 1 of this report was taken, had similar flush boarding on the front face of the shop portion. It was assumed that this disparity in the treatment of the two parts of the front facade of the building had also obtained in colonial times and had been maintained down through the 19th century.

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EXTERIOR TRIM

All of the trim and other wood features of the Alexander Craig House are, of course, new. Since the building, by the time it passed into the hands of Colonial Williamsburg, Inc. had been much altered from its 18th-century condition, the detailing, for the most part, is not copied after parts which existed on or in the building but is based upon authentic 18th-century examples found in Williamsburg and elsewhere in Tidewater Virginia.

Main cornice, street facade

The main cornice (south front) consists of two elements, viz., that part (roughly two-thirds of the front elevation) which is found on the house proper, and the remainder which runs along the eaves of the roof over the shop portion. Again, to aid in making it appear that the shop was built at a different period from the part of the building to the west of it, the shop cornice has been given modillion blocks, while the remainder of the front facade has none. Actually, no clue to what the 18th century cornice was could be gained from an examination of the photo of the two story house (p.1) or from a study of the documents relating to the property.

House cornice

The cornice of the house proper was designed, therefore, as a typical 18th century modillionless cornice, which has been used on many restored and reconstructed buildings in Williamsburg. It consists of a crown mold, fascia, projecting soffit and a base mold superimposed upon a fascia which overlaps the top weatherboard. It is similar to such old examples found in Williamsburg as the main cornice of the Travis House and the front and rear cornices of Casey's Gift (now demolished).

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Shop cornice

The cornice of the shop is, except in the respect that block modillions are fixed to the overhanging soffit, similar to the neighboring "plain" cornice. The sequence of molding is, except for the inclusion of the blocks, much the same in both cases. The modillions are simple rectangular blocks of wood surmounted by a cyma reversa or ogee molding. The blocks are spaced about 1'-1 3/8" on centers. Old modillion cornices which may be considered precedent for that of the Alexander Craig House are the front and rear cornices of the Lightfoot House in Williamsburg and the main cornice of Wales, Dinwiddie County.

Cornice end board

RR134421 Cornice end board, main cornice, south front

The cornice of the shop and that of the house proper are separated from each other by a cornice end board similar to the cornice stops used at either end of the south façade of the building. These cornice end boards (illustrated at left) have no direct precedent. The main curve is, in a general way, similar to that of the old end board at the southwest corner of the Travis House in Williamsburg. The other 32 details of which the cornice stop is composed are taken from cornice end boards found in the Virginia Tidewater area. It is likely that no single old cornice stop could be found which would be exactly like this one. In fact it is probable that such features were varied endlessly in the 18th century and that no two were designed precisely alike.

Rear cornice and cornice end board

The rear cornice is modillionless and it is similar to the modillionless cornice of the main front except that it is a somewhat reduced version of the latter. The soffit of the rear cornice, in particular, has a much smaller projection than that of the main cornice. The cornice end board is also much simpler than that of the south cornice and follows much more closely the profile of its cornice than does the example on the front.

Corner boards

The corner boards, which act as stops for the weatherboarding, are of the single-faced type, with their narrow sides placed at the ends of the house. All of them are 1¼" thick and they all have a ½" bead at the exposed corner. The boards are 3½" wide on all corners of the house except the southeast (shop) corner, where the corner board, which receives both the flush boarding of the shop front and the weatherboarding of the east face of the shop, is 5½" wide.

One additional corner board has been applied to the north front, viz., the "vestigial" corner board which has been placed at the junction of the shop front with the main face of the house proper. A stop was necessary here to effect a transition between the two different types of facing boards. This vestigial corner board is of the 33 same type and size as the end board of the southeast corner of the shop. This feature, again, serves to suggest that the oldest part of the building, the shop, at one time terminated at this point. Logically enough, it is beaded on one edge only and this edge has been turned toward the west (the west corner of the shop when this existed alone.)

Rakeboards

The rake- or barge boards, which on the gable ends of the house follow the slope of the roof and, overlapping the weatherboards, serve to effect a transition between the latter and the roof covering, are flat boards, beaded on the lower edge. On the steeper slope of the south side of the gable they start with a width at the bottom of about 5½" and move with a gradual taper toward the ridge. On the back (north) side they are about 5" wide at the base and also taper as they move upward, but the narrowing down of the boards is "slower" due to the fact that the length of the roof incline is so much greater at the rear.

ROOF

The reconstructed roof of the Alexander Craig House is a mixed type—it may correctly be called a modified "A" roof. It has a normal front slope of about 50 ¾°. This slope starts at the top at the roof ridge, which is centered on the south chimney of the west side and consequently also on the longitudinal center line of the southwest room. The rear slope (about 28°) is much lower than the front slope and it is continuous from the ridge to the rear (north) eaves of the house. Extensions of this roof, continue down at an angle of about 19° to form the roofs of the main rear entrance porch and the kitchen porch. The rear part of the roof is much wider (deeper) than the front part, since the roof ridge, due to its location over the center line of the southwest room, is several feet south of the longitudinal center line of the 34 house taken as a whole.

The main roof of the house, the porch and leanto roofs and the dormer roofs, as well, are covered with round-butted asbestos cement shingles. These shingles have been used on most of the other restored and reconstructed buildings in Williamsburg. They resemble wood shingles in texture, and weather to a color which suggests that of weathered wood shingles. They are used in lieu of wood shingles because they are fireproof. Round-butted shingles were used frequently in the 18th century. They have this advantage over square-butted shingles, that their rounded ends make it easier to align them and to keep them in alignment than is the case with shingles which have straight lower edges.

The basis for the design of the roof

No documentary evidence was found to aid in the determination of the shape of the original roof. The roof which was placed on the house was given the shape which certain archaeological evidence and a consideration of the nature of 18th century roofs in the Tidewater Virginia area in general seemed to indicate as the most likely type. Francis Duke, in his archaeological report on the Alexander Craig (Vaiden) House site (August, 1941), presents a fair summary of the reasons which led the architects to give the roof the form which it has at present:

Second floor joists in the south half of the building were sawn off flush with the studs at their south ends, no doubt when the second floor wall was built. These joists at their north ends have their original projection beyond the plate of the center partition, originally the north exterior wall. [See photograph on next page.]

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RR134422 VIEW OF FRAMING OF OLD SECOND FLOOR JOISTS IN NORTH OR SHED PORTION OF BUILDING BEFORE ITS RECONSTRUCTION. THE PROJECTING ENDS OF THE JOISTS OF THE SOUTH PORTION ARE BELIEVED TO HAVE RECEIVED THE REAR CORNICE OF THE ORIGINAL 1½-STORY STRUCTURE AT THE TIME THIS WAS A ONE-ROOM-DEEP HOUSE.

Evidence for the slope of the original roof is scanty but appears definite. It is clear from the location of the chimneys that the earliest roof must have been of 'A' section rather than hipped (unless it was a gambrel, and there is no evidence that it was). When the north rooms were added, they may be presumed to have had a shed roof. (The only alternative would seem to be gables facing north; but this is highly improbable, for the chimneys are not located where they could have heated the gable rooms).

The probable height of the north cornice can be fixed with reasonable accuracy by the second-floor joists. The first slope tried for the shed roof was based on the assumption that it might have joined the north slope of the original front roof at a level just below the dormer sills. But it was found that such a slope for the shed roof would be of less than 13 degrees. Such slopes in the XVIII century were rarely less than 25 degrees. This system of construction is therefore highly improbably in itself.

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But there is ulterior evidence against also. The northwest chimney, which was of early brickwork up to a level just below the second floor, must have had somewhere above this level the usual sloping brick shoulders, which extended up to a small brick ridge on the house side, where the chimney came clear of the building. This brick ridge must always clear the flashing problem. But no matter how low the shoulders and brick ridge might have occurred, within the known limit, the roof line of the shed (as assumed above) would cut too low.

These two objections to the low slope of the shed roof are so strong as to seem conclusive. The likeliest alternative is that the rear slope was continuous from the early ridge to the new north cornice. This slope is of more than 27 degrees, and provides wider head-room inside, while dormer may still be used.

Roofs of this type are not uncommon. Some other examples are the Repiton and Moody houses (with front slope as for A roof), and the Prentis and Travis houses (with front slope as for Gambrel roof).

To this analysis of Mr. Duke's should be added the supposition that, when the north addition was made to the early one-room deep house, the entire rear part of the roof must have been rebuilt. This is likely since, with the ridge line centered on the longitudinal axis of the early building, the north slope would undoubtedly have been the same as the south. At present, as was remarked above, the rear slope is about 28° while the front slope is much steeper (ca. 50 ¾°).

DORMERS

There are, in all, on the house, eight dormers—five on the front roof slope and tree on the rear. These are alike in design, front and rear, all being of the gable-ended type and all housing 15-light windows (3 lights wide and 5 high).

There was no documentary or other basis for the number, positions, or design of the dormers. They were placed at those points of 37 the roof where they would be most useful is bringing light to the spaces of the second story. Thus, each of the two bedrooms was given two dormers on the south side, spaced nearly, if not quite, symmetrically about the transverse center lines of these rooms. Each bedroom was also given a rear dormer, located between the closets which, except for the space occupied by the dormers, form an unbroken line across the back wall of the second floor. These rear dormers are not quite centered on the north-south axis of the bedrooms. A center dormer lights the bathroom on the south side and another on the north performs the same service for the second floor hallway.

Externally, the dormers are not placed with exact symmetry in respect to the north and south façades, but the spacing between them is sufficiently regular to present the appearance of symmetry. On the south front only the two west dormers line up with the windows below them. Due to the circumstance, occasioned by the fact that the shop occupies the east portion of the building, that it was impossible to achieve symmetry on the first floor facade, the remaining quasi-symmetrical dormer windows do not line up with any of the openings below them, although they are, nevertheless, in an ordered relation to the first floor windows and doors.

On the north façade it was possible so to dispose the three dormers in relation to the doors and windows of the first floor that the east and center dormers fall directly above the kitchen and rear entrance doorways respectively. The third (west) dormer lies about midway between the two westerly windows below it.

The dormers have, as was noted above, gable ends, the sloping sides of which are trimmed with tapering rakeboards. The lower edges of these are beaded and their bottom ends are cut off straight. The gables 38 are covered with random-width flush boarding, unbeaded. The sides of the rakeboards, as is typical of 18th century dormers in Williamsburg, are covered with random-width beaded boarding. In the case of both the front and rear dormers the boarding follows the incline of the roof slope on which the dormers are located. It is worthy of mention that in side view the dormers of the rear have an aspect different from those of the front—they are, due to the much lower incline of the rear (north) roof slope much longer than those of the front.

The dormer roofs have, uniformly, a slop of about 47½° so that their inclination is unlike both the front slope of the main roof (ca. 50 ¾°) and the rear slope (ca. 28°). The roof covering of the dormers is, like that of the main roof, round-butted asbestos shingles.

The dormer sills are of the square-cut type, the ends of which line up with the outside edges of the vertical elements of the window trim.

The dormer design, described above, was based upon characteristic 18th century examples found in Williamsburg and its locality. The old dormers of the Bracken House and Casey's Gift (now demolished) in Williamsburg are of the same type and have the same detailing as those of the Alexander Craig House. In the first example the windows also have 15 lights.

PORCHES AND STOOPS

Main Front Entrance Stoop

The three stone steps which are the main feature of the stoop have already been discussed at some length on pp. 25 and 26. It should be added that the steps are supported on brickwork, which is exposed to view at the sides of the stoop.

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The stoop has a wrought iron railing at either side, the handrail of which is rounded at the top. This is 1-1/8" in width and about 7/16" in thickness. The rail is fastened against the weatherboarding of the house and descends the steps without turning, to be arrested at the bottom by a tapering newel with champfered sides, whose base is square in section—1-1/8" on each side. This newel is terminated at the top by a turned brass finial. Four additional balusters or posts aid in the support of each railing. These are flat bands of wrought iron, turned flatwise to the house front. These are ¾" on the flat side and 3/8" in thickness. Both the newels and the balusters are secured in place by being set in lead in 3" deep slots in the stone steps.

Wrought iron railings of this simple type are easily made by a blacksmith so that they were in frequent use in 18th century Virginia. The handrailing of the stone steps on the north side of the President's House of the College of William and Mary is an old example of the same general type as the reproduced handrail of the Alexander Craig House. The railing of the President's House is longer and slightly different in design (it turns at the bottom) but the elements of which it is composed are similar to those of the Craig railing.

Entrance Steps to Shop

These steps are of wood and are of simple design. They consist of three wood steps, the treads and risers of which are mortised and tenoned into 2" thick stringers at either side. The top edges and the outside lower edge of these stringers are provided with a ½" bead. A central carriage (a wood support with cut-outs to receive the treads and risers) aids in supporting the steps. The steps are open beneath the stringers.

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Steps of this same character (though without risers) are to be seen in pictures of old houses in a collection of photographs taken during the Civil War. This collection may be consulted in the Colonial Williamsburg Department of Architecture.

Rear Hall Porch and Kitchen Porch

The covered porch at the rear entrance to the hall (see illustration), like the stoop at the front, is placed over the site of colonial foundations. The design of this porch was based upon that of other 18th century porches of Williamsburg and its vicinity.

RR134423 NORTH FACE OF ALEXANDER CRAIG HOUSE SHOWING THE TWO REAR PORCHES

41

The kitchen porch, which was placed at the east side of the north front to serve the kitchen entrance, is, in all of its detailing, very much like the rear hall porch, so that the details of these two porches will be discussed together.

Both porches, as was indicated earlier (p.33), have shed roofs which continue the north slop of the main roof, though this continuity of surface is broken by a change of inclination. (The main roof slope is 28°, while that of the rear porches is about 19°).

The two porches (without the steps) are almost identical in size, both being about 6' wide and 5' deep. Both are supported by two columns and two half columns applied to the face of the building. These columns and half columns are turned above the railing level and taper toward the top. The railing-high bases of the columns are square in section.

Each porch has 6 steps (i.e., 6 risers). In the case of the rear hall porch these run straight down from the porch platform. The kitchen porch is turned sidewise, with 3 risers descending to an intermediate landing. Three risers at right angles to these lead from the landing to the ground.

The railings of the porches are, in detail, exactly alike. On the porch platforms these are supported by the square-sectioned bases of the columns and half columns. the handrail (see sketch on following page) is one-sided—that is, it has the normal molded profile which serves as a grip for the fingers on one side (the outside) only. This railing also descends the steps, to terminate in a square-sectioned newel with a molded top.

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RR134424 SECTION THROUGH HANDRAIL OF THE TWO REAR PORCHES.

In lieu of the balusters, the sections of both handrails which are on the porch platforms have "panels" of random-width beaded boarding. The top of these panels are mortised into the underside of the handrail and the bottom, which is 4" above the porch floor, has both edges beaded.

The rails which descend the steps are open, each having, below the handrail, two boards (about 6½" high and 1" thick) which are beaded top and bottom and which parallel the inclination of the handrail.

The porch platforms, of wood, are supported on brick foundations, while the steps are open beneath and rest on the paving of the kitchen court. The triangular sides of the roof "canopies" are faced with random-width beaded boarding and the transition between this boarding and the roof covering (round-butted asbestos-cement shingles) is effected by means of a tapering rakeboard, beaded at the bottom and cut at the lower end to follow the profile of the crown mold which runs across the north face of the porch at the eaves.

Precedent for the Detailing of the Rear Porches

Covered porches were a not infrequent adjunct of the 18th century houses in America. James Thacker, a traveller here, writing in 1778, speaks as follows of them:

There is a peculiar neatness in the appearance of their dwellings, having an airy piazza supported by pillers in front.

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In his book, The City and Country Builder's and Workman's Treasury of Designs (London, 1741), Batty Langley, a prolific writer of builders' handbooks, gives the primary reason for the construction of hoods and porches, such as those of the Alexander Craig House, at entrance doorways:

It also very often happens, that even when Frontispieces [doorways] may be finished with Pediments [hoods], that the Projection of the Pediment will not be sufficient to protect the Entrance from the Insults of Rains; therefore in such Cases, the Pediments must advance forward, and be sustain'd either by Trusses [brackets] ... or by Pilasters, or Columns ....

The most conspicuous feature of the two rear entrance porches, the turned columns, have ample precedent in 18th century Virginia houses. A local example, the columns of the western entrance porch on the south side of the Coke-Garrett House, is an excellent one to cite, since the two full columns and the two half columns applied against the weatherboarding of the house are very similar in character to the reconstructed columns of the Alexander Craig porches. The Coke-Garrett columns are square in section up to a point slightly above the handrail, which they receive. Above this point the columns are turned and they diminish in circumference toward the top where they terminate in simple caps similar to those of the Alexander Craig columns.

Among examples outside of Williamsburg of porches with turned columns having square bases are the following:

  • Front porch of Viewmont, Albemarle County
  • Front porch of Follen's House, near Cumberlanding on the Chickahominy.
The handrail with a grip on one side only has its prototype in an old handrail of the west gallery of Bruton Church, even though the profile 44 of the Bruton rail is slightly different.

The writers of this report have located no exact counterpart of the porch railing panels made up of random-width beaded boarding, but "filled in" railings were not uncommon in 18th century Virginia houses. An example, in which the "filling" consists of true panelling rather than boards fitted together is found in the "balustrade" of the gallery stairway of Abingdon Church near Gloucester Court House, Gloucester County.

RR134425 OLD STAIR RAILING OF LEE HOUSE (NOW DEMOLISHED), AS SEEN FROM THE SECOND FLOOR LANDING.

There are plenty of precedent examples for the open type handrailing made of two beaded boards, separated from each other and from the handrail by open space, which descends the steps of either porch. An excellent local example is the one shown at the left—the old stair railing of the Lee House which formerly stood just east of the Scrivener House on Duke of Gloucester Street. The handrail of the Lee House stair, is, of course, different in profile from that of the Craig porch handrails.

45

The plastering of porch ceilings was a frequent practice in colonial building. An old porch with such a plastered ceiling is the above-mentioned west front porch of the Coke-Garrett House.

BASEMENT STEPS AND BULKHEAD

Old basement steps, built apparently at the time the northwest portion of the building was erected, were found still in existence adjoining the foundations of the rear hall porch on the east. (See archaeological drawing, p. 7; photo, p. 10 and text p. 11). The right-angular cut-out in each brick step indicated that these had at one time had the wood nosings so frequently given to brick steps in the 18th century to save the brickwork from wear.

On the basis of this complete archaeological evidence the basement steps were rebuilt on the site of the old brick steps, which were thought to be in too poor a condition to retain. For practical reasons the six steps were made of reinforced concrete, with a steal angle (1½" x 1½" x ¼") placed at the junction of each tread and riser to prevent the wearing down of the concrete.

The elements of the bulkhead which are visible from the outside—the side walls of brick and the bulkhead superstructure of wood,—were designed in accordance with 18th century tradition in the treatment of such features. The bulkhead is of the sloping type and is similar in character to the old inclined bulkheads of the Taliaferro-Cole Shop and of Captain Orr's Dwelling. It is equipped with two swing doors made up of random-width beaded boards, each of which is held together by three battens nailed on the back at right angles to the boarding. The triangular sides of the wood framework are faced with random-width, beaded boarding running horizontally and the junction of the sides with the framework 46 of the top is covered by a pair of tapering rakeboards which diminish slightly in width from bottom to top. The lower edge of each board has been give a ½" bead and the lower end cut to a cyma recta curve.

WINDOWS

The dormer windows have already been covered under the subject of Dormers, pp. 36-38. In the course of this discussion, the relation of the dormer windows to the doors and windows below them was also treated in some detail, but the organization of the openings in the façades merits further consideration.

There are, all told, 12 first floor windows, and except for the single 8-light (2-lights-wide and 4-high) window of the west closet leanto, they are all 18-light (3-lights-wide and 6-high) windows.

On the south (street) façade there are five windows—two windows in the shop portion, spaced equally about the pair of glazed doors forming the one-time shop entrance, but off the centers of the dormers above them, and three in the wall of the house part. Of the latter, the two westerly windows, serving the southwest room, are spaced very nearly symmetrically in respect to the room interior, and, as was remarked earlier, they fall, on the exterior, under the dormers above. Here the regularity of spacing ends, for the third window, which brings light to the front hallway, is placed a couple of feet east of the main entrance doorway, off the axis of the more-or-less centrally-located dormer above. The general effect of this façade, despite the irregularity in the spacing of the openings, which is a direct result of the piecemeal manner in which the house grew originally, is, nevertheless, not a disorderly one.

47

The rear (north) façade is still less regular than the front. Again, the two westernmost windows, the axis of the space between which coincides with the dormer axis above, are located in such a manner as to appear more-or-less symmetrically placed in the north wall of the northwest room. The next two windows to the eastward, the nearer serving the first floor bath and the farther the rear hall, are grouped, though not actually, at least to all appearances, symmetrically about the rear hall doorway, whose center-line coincides with the axis of the central dormer of the 3 dormers above. The fifth window in this façade, which brings light to the pantry, stands in about the same relationship to the kitchen doorway to the east as does the window immediately to the west of it to the rear hall doorway, which results in orderliness in the placing of the openings in this area of the façade.

The kitchen derives its light from the 6-light glazing of the kitchen door and an 18-light window placed at the northern end of the east front, which has no further windows on this floor.

There are two second-story windows, a 15-light window (3 lights wide by 5 high) in the east gable end, which helps to light the east bedroom, and an 8-light window (2 lights wide and 4 high) in the west gable, which serves the west bedroom.

All the windows in the house are of the vertical-sliding (double-hung) type. All are new, of course, but their design is based upon that of old 18th century examples. Old windows of the various types used in the Alexander Craig House are found in the following wood houses:

18-light windows (9 over 9 lights):Old first floor windows of the Brush-Everard House, Williamsburg and Wales, Dinwiddie County.
48
15-light windows (6 over 9 lights):Second-story windows of Randolph-Peachy House, Williamsburg.
8-light windows (4 over 4 lights):Bracken House and the Quarter, Williamsburg.
15-light dormer windows (6 over 9 lights):Bracken House, Williamsburg (the dormers of which are also gable-ended like those of the Alexander Craig House).

Glass Sizes

The sizes of the glass panes used in the windows of the Alexander Craig House are as follows:

18-light windows8" x 10"
15-light windows7" x 9"
8-light windows8"x 9½"
15-light dormer windows7" x 9"

Window Trim
Exterior

The exterior trim (and frame) of the windows consists of a 2½" flat band placed about the window on the face of the building to receive the weatherboarding, together with a second band recessed to a depth of 1-1/8" (the thickness of the outside band). The second band, which adjoins the sash, has a width, exposed to view, of 1½", and it is beaded on the edge next to the sash.

The sills are of the square-cut variety, projecting 2½" beyond the sides of the window opening, so that their ends line up with the outer edge of the stiles of the outside trim members. The sills are beaded along the bottom edge and the bead lines up with the beaded lower edge of the line of weatherboarding which falls at the sill level.

49

Old exterior trim of this sort was quite common on 18th century houses in Williamsburg. The Brush-Everard windows have old trim of this kind as well as old square-cut sills.

Interior

The interior trim of the windows, all of which is, of course, new, is of the double-molded type, composed of two cyma reversa- or ogee moldings, each of which is superimposed upon its fascia. The lower of the two fascias ends in a bead. There are no window aprons, since the trim continues across the bottom of the window openings, completing the enframement of the windows.

Old double-molded trim which completely enframes the windows is found on the first floor windows of the Brush-Everard and Barraud Houses in Williamsburg.

Basement Grilles

The basement window openings, three in number—two on the west side of the north front and one on the north end of the east front—each have a wood frame fitted into the brick opening and four square-sectioned wood bars, turned on the diagonal and running horizontally without interruption from one side of the frame to the opposite. This frame is both molded at the top (cyma reversa mold) and beaded along the bottom edge. The sills are square-cut and set flush with the face of the brickwork. For practical reasons (i.e. to shut out the weather) commercial-type, top-hinged in-swinging basement sash of wood have been placed back of the grilles.

Several old basement grilles are in existence at the Barraud House in Williamsburg, which have molded and beaded frames similar to the new ones used in the basement openings of the Alexander Craig House. In the case of the Barraud examples the frame is divided into two equal 50 parts by a central mullion.

SHUTTERS

The shutters of the Alexander Craig House are all of the paneled variety. The shutters are confined to the first floor windows, all of which have two shutters except the 8-light window of the closet leanto on the west front, which as a single shutter which, when closed, covers the window opening, and the three windows adjacent to the porches on the north front. In the latter cases the shutter on the side nearest the porch has been omitted, for want of room to swing it back against the face of the building.

RR134426 OLD PANELLED SHUTTER OF MAINE FARM NEAR WILLIAMSBURG, WHICH IS VERY SIMILAR TO THE THREE-PANELLED SHUTTERS

The shutters on the two windows of the south front of the shop have two panels only. The faces of these panels are flush with the frames of the shutters, but a bead intervenes between the panel and the frame.

The other shutters, except for that on the leanto window, are three-panelled shutters, the central panel being square and the top and bottom panels rectangular in shape and equal in length. The shutter of the leanto window has two equal "squarish" rectangular panels.

The panels, on the sides which face out when the shutters are swung against the building, have the customary inclined "tongue" on the panel edges and a quarter-round on the frame side. On the opposite side the panels are recessed but unmolded.

51

Paneled shutters almost identical with the last-mentioned shutters in the number and shape of the panels and in the character of the moldings once hung on the windows of Maine Farm, a place near Williamsburg. Similar old paneled shutters are also still to be seen at Wales, Dinwiddie County.

The type of shutter found on the shop windows—flush-panelled on both sides, with a bead intervening between framework and panels—is constructed in the manner of many old flush-panelled doors. An old door of this type is the door from the vestibule to the southeast bedroom in the Carter-Saunders House.

EXTERIOR DOORS

The exterior doors have already been referred to from time to time in this report. The essential facts concerning all the doors, exterior and interior, are given in two door schedules, pp. 61 and 62 of this report. A page of profiles of panel moldings of the doors is also included, p. 62.

Door Trim

The door trim, exterior and interior, corresponds to the window trim and consequently it will not be discussed in detail. Both the exterior and interior trim of the main front and rear entrance doors and of the kitchen entrance door are of the double-molded type used as interior trim for the windows. The interior trim of the shop "doors" is also double-molded, while the exterior trim is a simple band, beaded on the edge nearest the door opening. This is similar in general character to the exterior trim used on the windows. It should be stated here that the doors of the shop portion are false doors—that is, they are intended to present on the exterior the appearance of functioning doors, but actually they do not operate. On the interior a chairrail-height enclosed window stool gives 52 to the doors the appearance of window when viewed from the room side.

The trim of the interior doors is for the most part double-molded trim. In some cases—minor door openings, or on the inside of closets—simple, beaded block trim has been used.

53

INTERIOR

FLOORS AND FLOORING

The floor levels of the house were raised about a foot and a half at the time of its reconstruction. This, of course, meant that the second floor level was also raised above the colonial grade. This change had its effect upon the exterior, since the adjoining Scrivener House was not changed and, as a result, the cornices of the two dwellings do not line up at the same level.

The job captain during restoration, Finlay Ferguson mentions an early difference in floor level of 6½" between the easterly and west part of the building. He observed that the shop had a different level but that this was not restored since it was possibly late or would be inconvenient and perhaps hazardous for present-day use.

The original pine flooring on the first and second floors was salvaged and reworked for use, damaged edges were "trued up" and where required, old boards from the stock of antique building materials, stored by Colonial Williamsburg, were drawn upon. Floor board widths vary from approximately 4" to 7½.

^*

54

STAIRWAY

The single stairway in the house is new, restored by a close application of Virginia precedent. The stair found in the house, when its restoration was undertaken, was modern.

RR134427 Drawing of Stairway

Type: The stairway is located in the southeast angle of a 12'-0" wide front hall. There are four risers on the north wall, then two winders followed by a straight run of twelve risers. There are seventeen risers in all, each with a height of approximately 7 5/16".

The stairway width is 3'-4" from the center of the handrail to the rough face of the wall framing.

Basis for the Design: The nature of the stairway was determined by markings on the framing of the wall, where evidences of the wall stringer and direction of the rise of stairs were clearly visible. 55 This type of stairway without landings and with winders is found frequently in Williamsburg and in Tidewater Virginia. The scheme of the stairway in plan was derived from the stairway of the Croaker House near Norge or from that of the local Coke-Garrett House. Both of these precedent examples have, like the stair of the Alexander Craig House, a straight run of steps, winders, and finally, another straight run to the second floor.

Handrailing: The reader of this report is referred to the measured drawing, on the following page, showing the stairway of the Croaker House, near Norge, Charles City County. The details of the Alexander Craig stairway closely follow the handrailing and other features of the stairway of the Croaker House. The duplication of the original from Norge renders a useful service to Virginia colonial architecture, since the Croaker House with its stairway was demolished around 1934.

The extent of the duplication of the old example is recorded in the following listing of details of the Craig staircase:

Stairway plan
Similar in character, different in nature of flights.
Handrailing
Identical with original
Railing (Chinese Chippendale)
^*
Identical, excepting for adjustment to new space requirements. 56 RR134428 STAIRWAY, THE CROAKER HOUSE, near Norge, James City County, now destroyed. Measured by S. P. Moorehead, 1932. This is one of the finest specimens of the lattice type (Chippendale) stairways in Virginia. Note openness of plan with space between railing to permit viewing the railing design. Woodwork of stairway side, below railing, includes beaded boarding, flush, with molded chair railing.
57
Newel posts
The same
Facing side of stairs with beaded boards
The same with adjustments to space.
Chair Railing
Identical
Baseboard
The same
Dado treatment
The same
Stringer detail
The same

MANTELS

The mantels in the reconstructed house are five in number located in the living room, dining room, downstairs bed room, and, on the second floor, in the east and west bed rooms. There were no existing mantels in the house to serve as models. The restored ones are all new and of wood. Their design follows eighteenth century precedent, largely from architectural files of antique Virginia mantels, and from measurements of old mantels, stored in the warehouse of Colonial Williamsburg. The charts on the following pages are a record of the principal dimensions and characteristics of all the mantels in the house.

Cornices (Interior)

The interior cornices of the Alexander Craig House are new but they are based upon antique Williamsburg cornices that are considered typical and worthy of duplication. The designers turned to the Brush-Everard House (S.W. 58 and N.W. rooms) and to the Barraud House, (living room) for their cornice model.

RR134429 Drawing of Cornice

Cornices of wood were installed in the living room, dining room and first-floor hallway of the Alexander Craig House. The nature of the cornice with its crown mold and beaded backboard is shown on the detail drawing on this page.

In addition to the cornice, use was made of a 3" wood strip, beaded at top and bottom, to divide the wall of the front hall horizontally into three parts. This strip was placed at the level of the top of the doors and its use was not alone an aesthetic one since it also served for hanging pictures.

Archways in Hall

A fairly large, double-valve door serves as entry from the hall to the dining room. It is located beneath the stairway on the easterly wall. The doors are square headed, each with three molded panels. The doorway opening is framed by single molded trim, 1-7/8" in overall width. Above the doorway, the mold is made to form a segmental arch whose radius is 3'-3-¾". At the center of this arch there is a wood keystone on the hall side, fluted and applied to the flush boarding that occurs on this wall. An archway that duplicates the arched trim of the doorway to the dining room also occurs between the front and rear hallway.

59
MANTELS OF THE ALEXANDER CRAIG HOUSE
LOCATIONFIREPLACE SIZEOLD OR NEWCHARACTERPRECEDENTHEARTH
Living Room See ¾" detail sheets #208 & #101.3'-6" x 2'-11" 2'-11" radius from center 5" above floorRepro. of old models from locality.Arched fireplace opening with plaster frame; double molded wood trim; crown mold beneath square edged shelf. A feature is its 7 fluted wood keystone. Plain plinth beneath moldings that surround the fireplace.Photographic files of old Virginia mantels in Dept. of Arch. Col. Williamsburg.Brick of hearth are laid flat with a typical pattern. See Precedent Files for Williamsburg hearths, Dept. of Arch. (Records). See ¾" detail sheet #101.
Dining Room See ¾" detail sheet #208 & #101.2'-8" x 2'-9" 2'-0" radius from floor.Repro. of old models from locality.Opening over fireplace is arched with plastered surround. Trim of 2 faced molds frames the plastered arch at top. Above the frame there are 3 panels. A cluster of moldings without soffit projection forms the mantel shelf. See sheet #208 for details.Photo #102 in Arch. Files of old mantels, was precedent. Compare with other almost similar mantels in Dept. files.Same as for Living Room hearth. No mortar appears between joints. Face of brick rubbed to a smooth surface.
Bed Room on first floor. See ¾" detail sheets #208 and 101.Opening, 2'-2" wide, approx. 2'-5" high. Radius from floor is 2'-5"Repro. of old models from locality.Arched fireplace opening with plaster surround. Wood frame above is arched with wood trim forming a square frame. A bed molding supports a square edged shelf. Bed molds consist of a combination of a quarter round and a cove. See sheet #208 for details.Square molded frame is a replica of old mantels#47 and #48 in Files of Col. Williamsburg. Other details are based on examples in Files.Hearth, different in overall dimensions, but similar to other hearths in the house. See ¾" detail sheet #101.
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Bed Room on second floor, west end. See ¾" detail, sheets #208 & #101.Opening 2'-6" wide, arch formed by 2'-6" radius sprung from floor.Repro. of old mantels of locality.All details same as for bed room on first floor.Same as for bed room on first floorSame as for hearth of first floor bedroom.
East Bed Room on second floor. See ¾" detail, sheets #208 & #101.Opening width is 2'-6". Height of arch is formed with a 2'-6"" radius sprung from floor level.Repro. of old Virginia models.All details of woodwork are the same as for dining room mantels, excepting slight difference in fireplace opening. Mantel height is 4'-6" from floor.Same as for dining room mantel.Same as for hearth of dining room.
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DOOR INFORMATION
FIRST FLOOR
DOOR NO.LOCATIONDIMENSIONSOLD OR NEWPANEL TYPE
^*
OTHER FEATURES
D 101Front, Centre3'-0" x 7'-0" x 1¾"Repro.8 pan. type B4 light transom
102Front, Shop4'-4" x 7'-6" x 1 1/8""1 " (gl.) " A6 lights in glazed door
103Rear, Kitchen3'-0" x 6'-10" x 1¾""2 pan.(gl.)" D9 lights in glazed door
104Kit. to Stores2'-6" x 6'-6" x 1 3/8""No panelDouble acting
105Kit. to Pantry2'-6" x 6'-6" x 1 3/8""No panelDouble acting
106Pantry to Din. R.2'-10" x 6'-8" x 1¾""Type C
107Pantry to Cup'd.(2) 2'-6" x 6'-3½" x 13/16""Type F
108Pantry to rear Hall2'-10" x 6'-3½" x 1 1/16"Old4 panel " DOld door altered and repaired.
109Hall to Din. R.(2) 2'-2"-0" x 6'-8" x 1 ¾"Repro.6 panel " C
110Hall to Clos.2'-8" x 6'-7½" x 1 1/16""No panel." E
111Hall to Basement2'-8" x 6'-7½" x 1 1/16""No panel." E
112Clos. in Hall Arch.1'-9 5/8" x 6'-6" x 1 1/16""3 panel " F
113Rear Hall to Bed R.2'-8" x 6'-3½" x 1¾""6 panel " C
114Bed R. Pass. Clos.(2) 2'-3" x 6'-3½" x 13/16""3 panel " F
115Bed R. to Bath2'-6" x 6'-3½" x 1 1/16""No panel " E
116Bed R. to Chim. Clos.2'-6" x 6'-3½" x 1 1/16""No panel " E
117Bed R. to Liv. R.3'-0" x 6'-3" x 1¾""6 panel " COld frame and old trim repaired.
118Liv. R. to Hall3'-0" x 6'-3" x 1¾""6 panel " C" " "
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DOOR INFORMATION
SECOND FLOOR
DOOR NO.LOCATIONDIMENSIONSOLD OR NEWPANEL TYPE
200Hall to W. Bed R.2'-5½" x 6'-3" x 1"Old & Repaired2 panel, H Type
201Hall to Bath R.2'-5½" x 6'-3" x 1""2 panel, H Type
202Hall to E. Bed R.2'-5½" x 6'-3" x 1""2 panel, H Type
203E. Bed R. to N.E. Clos. #72'-0" x 6'-0" x 1 1/16"Repro. of old3 panel, F Type
204E. Bed R. to Clos. #6(2) 2'-2" x 6'-0" x 1 1/16""3 panel, F Type
205Hall to Clos. #5(2) 2'-0" x 6'-0" x 1 1/16""3 panel, F Type
206Hall to Clos. #42'-4" x 5'-2" x 1 1/16""3 panel, F Type
207W. Bed R. to Clos. #3(2) 2'-0" x 6'-0" x 1 1/16""3 panel, F Type
208W. Bed R. to Clos.#22'-6" x 6'-0" x 13/16""3 panel, F Type
209W. Bed R. to Clos. #12'-6" x 6'-0" x 13/16""3 panel, F Type
210Bath to linen clos.2'-6" x 6'-3" x 13/16""3 panel, F Type

NOTE: See sheet on following page for illustration of panel detail. All reproduced doors are constructed in the manner of old ones with use made of 3/8" wood pegs. All doors are pine.

63

RR134430 FS PROFILES

64

HARDWARE

In general the hardware throughout the building is new but it is patterned after authentic 18th century examples.

Stock out nails were used on all interior finish and for finished floors. Stock out galvanized nails were used on all exterior woodwork, and galvanized nails with hand-wrought heads were used to fasten weatherboards and flush boarding. All colonial type hinges were also secured to the doors by nails with hand-wrought heads.

Door Hardware

(For all first and second floor door locations, see door schedules, pp. 61, 62.)

Door #D-1—L.H.—3'-0" x 6'-6" x 13/16" thick (batten)
1—Pr. 8" T hinges (stock)
1—W.I. thumb latch 8" long (stock)
Door #D-2—L.H.—3'-0" x 6'-6" x 13/16" thick (batten)
1—Pr. 8" T hinges (stock)
1—W.I. thumb latch 8" long (stock)
Door #D-3—L.H.—3'-0" x 6'-6" x 13/16" thick (batten)
Same as door #D-2
Door #D-4—L.H.—3'-0" x 6'-6" x 13/16" thick (batten)
Same as door #D-2
Door #D-5—R.H.—2'-4" x 6'-6" x 13/16" thick (batten)
Same as door #D-2
1—4" Cabin hook and style.
Door #100 - L.H. - 3'-0" x 7'-0" x 1-¾" thick
1—Pr. 12" W.I. colonial HL hinges (CW-F3)
1—Reproduction Craft House brass lock with cylinder attachment size 4½" x 8", 3 keys, brass knobs and escutcheon to cover cylinder attachment.
Door #101—False Door
1—Brass knob and escutcheon (on outside)
Door #102—R.H.—3'-0" x 6'-10"" x 1-¾" thick
1—Pr. 12" W.I. colonial HL hinges (CW-F3)
1—Reading chromium plated rim lock, 2 keys, brass knob and escutcheon on porch side.
Door #103—R.H.—3'-0" x 6'-10" x 1-¾" thick
Same as door #100.
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Door #104—2'-6" x 6'-6" x 1-3/8" thick
1—Corbin #412½ floor hinging double acting
1—Corbin #0412 top pivot (hinge)
2—Chromium plated push plate (satin finish)
Door #105—2'-6" x 6'-6" x 1-3/8" thick
Same as door #104.
Door #106—L.H.—2'-10" x 6'-8" x 1-¾" thick
1—Pr. 10" W.I. colonial HL hinges (CW-F3)
1—Door check, LCN #202, concealed, with hold open feature.
1—Brass knob on dining room side.
1—Chromium plated push plate on pantry side (satin finish)
Door #107—2'-6" x 6'-3½" x 13/16" thick—2 valve
2—Pr. 10" W.I. colonial HL hinges (CW-F3)
4—Heavy friction catches (top and bottom)
2—Door pulls (stock chromium plated)
Door #108—R.H.—2'-10" x 6'-3½" x 1-1/16" thick
1—Pr. 10" W.I. colonial HL hinges (CW-F3)
1—Reading iron rim lock, 2 keys, chromium plated knob and escutcheon on pantry side.
Door #109—2'-0" x 6'-8" x 1-¾" thick—2 valve
2—Pr. 10" W.I. colonial HL hinges (CW-F3)
1—Iron Reading rim lock, 2 keys, brass knobs and escutcheon.
1—Corbin Friction catch #01822 (top)
1—Corbin Friction catch #3070 (bottom)
Door #110—L.H.—2'-8" x 6'-7½" x 1-1/16" thick
1—Pr. 10" W.I. colonial HL hinges (CW-F3)
1—Brass knob spring latch—4½" x 4½", similar to CW-F22.
Door #111—R.H.—2'-8" x 6'-7½" x 1-1/16" thick
1—pr. 10" W.I. colonial HL hinges (CW-F3)
1—Iron Reading rim lock, 2 keys, brass knobs and escutcheon.
Door #112—R.H.—1'-9'- 5/8" x 6'-6" x 1-1/16" thick (batten)
1—Pr. 8" W.I. colonial HL hinges (CW-F3)
1—Brass knob spring latch—4½" x 4½", similar to CW-F22.
Door #113—R.H.—2'-8" x 6'-3½" x 1-¾" thick
1—Pr. 10" W.I. colonial HL hinges (CW-F3)
1—Iron Reading rim lock, 2 keys, brass knobs and escutcheon.
Door #114£—2'-3" x 6'-3½" x 13/16" thick
Same as door #107
2—Door pulls, ball brass #315, 1".
Door #115—R.H.—2'-6" x 6'-3½" x 1-1/16" thick
1—Pr. 10" W.I. colonial HL hinges (CW-F3)
1—Reading iron rim lock, 2 keys, chromium plate knob and escutcheon on bathroom side.
66
Door #116—R.H.—2'-6" x 6'-3½" x 1-1/16" thick
Same as door #110.
Door #117—R.H.—3'-0" x 6'-8" x 1-¾" thick
1—Pr. 10" W.I. colonial HL hinges (CW-F3)
1—Iron Reading rim lock, 2 keys, brass knobs and escutcheon.
Door #118—R.H.—3'-0" x 6'-8" x 1-¾" thick
Same as door #117.
Door #200 R. H.—2'-5½" x 6'-3" x 1" thick
1—Pr. 10" W.I. colonial HL hinges (CW-F3)
1—Iron Reading rim lock, 2 keys, brass knobs and escutcheon.
Door #201—R.H.—2'-5½" x 6'-3" x 1" thick
1—Pr. 10" W.I. colonial HL hinges (CW-F3)
1—Reading chromium plated rim lock, 2 keys, brass knob and escutcheon on hall side.
Door #202—L.H.—2'-5" x 6'-3" x 1" thick
Same as door #200.
Door #203—R.H.—2'-0" x 6'-0" x 1-1/16"" thick
1—Pr. 8" W.I. colonial HL hinges (CW-F3)
1—Brass knob spring latch, 4½" x 4½" similar to CW-F22.
Door #204—2'-0" x 6'-0" x 1-1/16" thick (batten) 2 valve
2—Pr. 8" W.I. colonial HL hinges (CW-F3)
2—Heavy friction catches (top and bottom)
2—Door pulls, ball brass, #315, 1" ⌀.
Door #205—2'-0" x 5'-2" x 1-1/16" thick (batten) 2 valve
Same as door #204.
Door #206—R.H.—2'-4" x 5'-2" x 1-1/16" thick (batten)
Same as door #203.
Door #207—2'-0" x 6'-0" x 1-1/16" thick (batten) 2 valve
Same as door #204.
Door #208—L.H.—2'-6" x 6'-0" x 13/16" thick
Same as door #203.
Door #209—R.H.—2'-6" x 6'-0" x 13/16" thick
Same as door #203.
Door #210—L.H.—2'-6" x 6'-3" x 13/16" thick
Same as door #203.
Bulkhead—2'-6" x 6'-0" x 1-1/8" thick -2 valve
2—Pr. 22" W.I. "T" hinges (CW-F8)
1—W.I. arched hasp and staple
1—Stock 8" barrel bolt for inside.
67
Basement Window Hardware
4—Complete sets stock basement window hardware.
Shutter Hardware
21—Pr. 8" W.I. colonial HL hinges (CW-F3) to be installed as directed.
10—W.I. surface bolts, 5" long, similar to CW-F18.
21—W.I. shutter dogs, type 4.
11—Sets W.I. cabin hooks and styles 4"long, similar to CW-F21.
Window Hardware
All double-hung windows on first and second floors are to have Corbin sash fasteners #1408.

68

PAINT COLORS AND FINISHES

EXTERIOR
LOCATIONCOLOR NO.DESCRIPTION
Weatherboarding1083Pale fawn-gray shade
Exterior trim696Egg shell white
Exterior blinds and doors327Dark olive green
INTERIOR
LOCATIONCOLOR NO.FINISHDESCRIPTION
Woodwork—front and rear halls and 2nd floor bath246SatinWarm light brown
Stairway handrailing and newel posts.450VarnishDark reddish brown
Woodwork in living room1097SatinOff-white, light yellow, grayed
Woodwork, 1st floor bed room and bed room No. 2448SatinYellow, slightly grayed
Woodwork, kitchen pantry bedroom No. 3 Closet 6 & 7128SatinGray-green, medium
Window sash—living room, dining room, 2nd floor bath, bedrooms #2, #3.Tinted off whiteSatin-------
Woodwork, dining room756SatinGray-green
Ceilings and walls of front and rear halls, living room, dining room, bedrooms, No. 1, 2, 3.[Driwall]
69

DATING OF A BUILDING

The dating of a house or other building is based upon one or more of the following:

  • 1 Actual date of the house visibly signed on its brickwork, framework, etc.
  • 2 Literary references such as:
    • a.A record stating when a building was started, was in course of erection or completed.
    • b.A record which would imply that a house was being occupied at a given date.
    • c.Correspondence referring to a house as under construction or as having been completed.
    • d.Advertisements referring to a house as for sale or implying its existence.
    • e.House transfers by will (wills frequently contain inventories of the contents of a house), sale or default in payment.
    • f.Fire insurance policy declarations.
  • 3Documentary evidence such as that furnished by maps; buildings may be indicated on maps, the dates or approximate dates of which are know.
  • 4 Historical references to the building such as found in the record of the meeting at the Raleigh Tavern in 1765 to defy the Stamp Act.
  • 5Existence of original plans or draughts of a building; drawings of exteriors of buildings such as Michel's drawing of the exterior of the Wren Building and of the elevations of Williamsburg buildings shown 70 on the Bodleian Plate (1701, 1702); drawings of interiors of buildings such as Lossings's sketch of the interior of the Apollo Room of the Raleigh Tavern, made in 1850, etc.
  • 6Design characteristics.
  • 7Archaeological evidence and artifacts. (The Division of Architecture of Colonial Williamsburg has developed a chronology of pottery and porcelain which is of assistance in approximating the period of usage of the fragments found on the site.)

DATES OF CONSTRUCTION OF THE ALEXANDER CRAIG HOUSE

The old Alexander Craig House was a conglomerate of various additions made to a small shop that appears to have been built by John Wagnon in 1735 for use as a wigshop. (See chronology, p.3, archaeological map, p.6 and text, p.7). As we have seen, this was not the first building on the lot, since as early as 1712, when Susannah Allen bought lot 55 from Jacob Flournoy, she acquired, along with the land, certain "houses, buildings" (p. 3). The extensive early foundations discovered on the lot, probably the remains of some of these buildings, have already been discussed at length (pp. 5-7). No attempt was made to reconstruct any of these earliest buildings. The reconstructed house dates in its original form from the building of the above-mentioned shop by Wagnon in 1735.

The sequence of ownership following that of Wagnon may be studied in the chronological summary on pp. 3 and 4. Certain of these owners (we don't know which) built additions at the north and west of the original shop. The old foundations (pp. 6-11) and framing (pp. 26-29) reveal clearly that the building was built in several stages. The 71 exact sequence of these additions is not, however, known, nor is it certain when the building originally attained the form represented in the reconstructed house, except that this must have taken place before the close of the 18th century. The appendages at the north-east (see photo, p.13), which were in place with Colonial Williamsburg, Inc. acquired the house, were additions made in the 19th or 20th centuries long after the building had attained its complete development.

It is interesting to note that the shop portion of the house, though the nature of the businesses carried on in it changed a number of times, remained a shop from its original building in 1735 to sometime after the beginning of the 20th century, since our old photo on p.1 still shows the shop entrance on the east side of the south front.

Before the building passed into the hands of Colonial Williamsburg, Inc. the door opening had been closed up and the space turned to other uses. It remains a notable fact, nevertheless, that this part of the building had continued in use as a shop for well-nigh 200 years.

A. L. Kocher

Howard Dearstyne
June 12, 1950

Footnotes

^* These documents relating to the ownership of Colonial lots #55 have been assembled in the Research Report, Vaiden House Site, prepared in 1939 by Hunter D. Farish.
^# From Archaeological Report, Vaiden House Site, written by Francis Duke, August 1941.
^*Brick cogging was in use in England at least as early as 1736 when the following description of it appeared in Richard Neve's The City and Country Purchaser's and Builder's Dictionary:
"Cogging-bricks. These are used in some parts of Sussex to make their Toothing, or indented Work under the Copeing of Walls....In using them, they lay them on the Top of the Wall, just under the Coping-bricks, in an oblique Position, so that one Corner, or Angle projects over about 2½ in. on one side, and the opposite diagonal Angle at the other, and projects as much over the other Side."
^* The floor of the finished, wood-framed house of Colonial America was commonly of wooden boards supported on timber joists. This was the usual floor of most eighteenth century houses of England. We must recognize, however, that other materials also were used, such as rammed clay, marl, brick, tile and stone. The paving of the Capitol and Palace on the ground floor was mostly of imported Purbeck stone. Naturally enough the floors of smokehouses, kitchens, and dairies in Williamsburg were often of brick. The common house flooring of wood boards followed a rather fixed practice. The material was commonly yellow pine, with edge grain exposed as a walking surface, in order to lessen wear and splintering. Board widths range from around three inches to as much as ten and twelve inches. A range of width between four and seven inches with a thickness of one and one eight inches appears to be usual. The widest boards had a tendency to cup and hence those of lesser width were favored on the ground floor. The wider range appears, usually, on floors of attics, closets and rooms of least importance.

Most floor boards were face nailed, with hand wrought nails that have a large hammer head—or later a rectangular head, as recognized by the floor nails most frequently found in flooring of dated buildings before the Revolution.

The fastening of board to board was thought by some to be best accomplished by wood pins or dowels. No such joining of board to board was accomplished by the face nailing method, although floor boards are sometimes ploughed and tongued to prevent floor drafts and to reduce springing and floor squeaking.

Most floors of Tidewater Virginia are of single thickness, the boards are most frequently square edged. While a thickness of one and one eighth inches is intended, nevertheless, the thickness of boards seems to have varied greatly so that the laying of flooring was attended by a tedious operation of chopping or adzing the under side of floor boards where they came into contact with framing joists. This was for the purpose of attaining a nearly perfect top level for a walking surface. For further information on floors and flooring, see "Special Studies" files of the Architectural Department (Records).

^

Chinese Paling.What we today term "Chinese Chippendale railing" (called "paling" before the time of the Revolution) appears to have had its origin in England around the middle of the eighteenth century. William Halfpenny, known as a carpenter-architect, was perhaps the first to design and publish plates illustrating such paling. Under the date, 1750-52, he brought out in London his four part work, "New Designs for Chinese temples...Garden mats, palings, &c..."

The stair paling as used at the Croaker and as duplicated in the Alexander Craig House is said to have "braced framing" because the diagonal pieces are braced by intermediate members. Halfpenny recommends a "most methodical Manner in laying down the Lines for this Work," namely, to divide the length and height into eight equal parts. The point of intersection of these division lines will be the center of the diagonal division lines.

Chippendale published his first edition of "The Gentleman and Cabinet-Maker's Director" in 1754. His application of the Chinese manner to chairs, settees, bookcase doors, etc, is now believed to have been derived from other craftsmen, including William and Thomas Halfpenny.

Benjamin Bucktrout, "Joyner" in Williamsburg advertised in the Virginia Gazette, January 6 [8], 1767, that he "makes all sorts of Chinese and Gothic Paling for gardens and summer houses."

^* See following page for illustrations of panel details. All doors are of pine and are constructed in the manner of old ones, being joined by the use of wood pegs.
72

DEFINITIONS OF TERMS USED IN ARCHITECTURAL RECORDS

(This glossary is appended as an aid in the interpretation of certain terms used in the report, which are frequently subject to misinterpretation.)

The word "existing" is used in these records to designate features of the building which were in existence prior to its restoration by Colonial Williamsburg."

The phrase "not in existence" means "not in existence at the time of restoration."

The word "modern" is used as a synonym of "recent" and is intended to designate any feature which is a replacement of what was there originally and which is of so late a date that it could not properly be retained in an authentic restoration of the building. It must be understood, however, that restored buildings do require the use of modern materials in the way of framing as well as modern equipment.

The word "old" is used to indicate anything about a building that cannot be defined with certainty as being original but which is old enough to justify its retention in a restored building as of the period in which the house was built.

The work "ancient" when used in these reports is intended to mean "existed long ago" or "since long ago." Because of the looseness of its meaning, the term is seldom used but when used, it denotes great age.

"Antique" as applied to a building or materials, is intended to mean that these date from before the Revolution.

73

It is to be noted that the existing roof covering, whether original or modern, has been replaced in all of the restored buildings—with a few minor exceptions, by shingles of fireproof material (asbestos cement) because of the desirability of achieving protection against fire.

When we say "reconstruction (or restoration) was started" the actual beginning of work is meant, not authorization which may occur at an earlier date.

When we say "reconstruction (or restoration) was completed," we refer to the actual completion date of the building and not to the date when the building was accepted.

74

ALEXANDER CRAIG HOUSE
Block 17, Bldg. No. 5
BIBLIOGRAPHY

Sources of information consulted in the preparation of this report.

    Archaeological Data.

  • Report by Francis Duke with interpretation of house and site ownership, along with discussion of foundations, construction changes and materials. Report is dated August, 1941.
  • Archaeological Drawingof Foundations, Lot 55 (known as Vaiden Lot, Area G.) Drawing made by J.M. Knight and dated March 2, 1940.
  • Artifacts.Since the house was standing when the archaeological investigations were made, the artifacts were largely found in areas of the property used for the disposal of waste materials such as crockery, glass, metal, etc. The use of the shop for 18th century barbering was confirmed by the nature of some of the ware and is also supported by the fact that John Pasteur, barber and perukemaker, bought a part of lot 55 about 1737. The findings also indicate that the trade of wigmaking was carried on on the plot. The records (see p.3 of this report) show that the southwest room was originally a wig shop, built about 1735 by John Wagnon. Wagnon was succeeded in the ownership of the wig shop by Andrew Anderson, another perukemaker. John Pasteur, who also bought a part of the lot, was, as we have said, both barber and perukemaker.
    The artifacts also point to the fact that harness-making was done on the property, and Alexander Craig, who was a person of sufficient importance to justify giving his name to the reconstructed house, was a saddler. He bought the shop in 1755.
    Although Gabriel Maupin, a tavern keeper, bought Pasteur's holding in 1738 few artifacts were found to support the thesis that Maupin kept a tavern on the lot. Only a small number of wine glass stems, which are generally more numerous on tavern sites, were found in the course of the excavations.
    75 In point of date, the ceramic fragments indicate that occupancy began about 1750, or, if anything, slightly earlier. There is, in general, a continuity extending to recent times, though the bulk is of the 1750-1815 period.

    Research Data.

  • The Research Report was prepared under the direction of Dr. Hunter D. Farish, and is dated July 13, 1939.
  • Notes on a conversation with Miss Vaiden, long an occupant of the house. This interview (undated) was conducted by Mr. Finlay Ferguson. In the report, Miss Vaiden gave helpful information on an early location of the main stairway. She also told of the century-long use of the southeast room, ground floor, as a shop. An account was also given of the partial destruction of the southwest chimney during the nineteenth century.

    Insurance Plat

  • Prentis, No. 669, year 1806.
    Lot 56, East No. 645, 1806.
    There is no report noted for building on Lot 55.

    Photographs.

  • The Vaiden progress photos, made in the course of the reconstruction of the house, which are on file in the Architectural Department.
N. 3388N. 6582
N. 6080N. 6597-6601 incl.
N. 6118-21 incl.N. 6606-6615 incl.
N. 6123N. 6666-7
N. 6142-48 incl.SM iv-iiv incl.

    Files of the Department of Architecture,

  • including field notes measured drawings, working drawings. The field notes and measured drawings were made under the direction of Finlay Ferguson of the Department of Architecture.

    Specifications

  • relating to the process of building the Alexander Craig (Vaiden House) dated February 28, 1941.

    Maps.

  • The Frenchman's Map, and Williamsburg town maps, of 1800 or there abouts, including the Annie Galt, Bucktrout and Tyler Maps.

    Correspondence.

  • General Filesof Colonial Williamsburg. Files of letters written by and to the Resident Architects, Messrs. Kendrew and Moorehead, and the consulting architects, Perry, Shaw and Hepburn, concerning the Alexander Craig House.

    Other Sources

  • E.G. Swem's Virginia Historical Index which contains references to individuals, events, building practices, materials and places. 76
  • Deeds, wills, inventories and other property records in the Department of Research and Record.
  • Files of the Virginia Gazette, consulted with the aid of the Virginia Gazette Index for data on persons, buildings and other subjects.
  • Journals of the House of Burgesses of Virginia
  • Files of the Architecture Records Office, which include a collection of photographs, measured drawings, precedent notes and reports, consulted to find a basis for the steps and details of restoration.
  • Reminiscences of old residents of Williamsburg, notably Mr. John S. Charles, Mrs. Victoria Lee and the above-mentioned Miss Vaiden.

    Consultation with Individuals.

  • Consultations with individuals who worked on the house during its reconstruction, namely Singleton P. Moorehead, and Finlay Ferguson.

    Visits to the Site.

  • The site was visited to check on such matters as brick sizes, color of brickwork, grades, etc.
77

THE ALEXANDER CRAIG HOUSE
INDEX

ABINGDON CHURCH
44
Allen,
Susannah
3, 70
Tavern
5, 8, 9
Anderson, Andrew
3
Archaeological Drawing
74
Archaeological evidence
4, 5, 7-12
Archaeological Plan
6, 18, 21
Archaeological report
2, 4
Archways
58
Artifacts
74
Asbestos cement shingles
38, 42
BARLOW
4
Barraud House
4
Basement
10
Foundations
23
View of
7
Grilles
49, 50
Paving
8
Stair
14
Steps
45
Windows
9
Bibliography
74, 75, 76
Blair, John House
26
Blandfield
26
Bracken House
38, 48
Brick
Bond
21
Color
19, 20
Gutter
25
Mortar
19
Rubbed
20
Sizes
20
Walks
11, 12
Brick paving
5, 11, 24
Brickwork
15
Brick "cogging"
24
Brick color
19, 20
Chimneys
19, 21-24
"Dog-Tooth" pattern
24
Foundations
19
Hearths
19, 25
New work
19
Old work
19
Where found
19
Brush-Everard House
47, 49, 57
Bruton Church
43
Bucktrout, Benjamin
57
Bulkhead
14, 25, 45
"Basket" pattern
25
Doors
45
Type steps
5, 10
CARTER'S Grove
26
Carter-Saunders House
51
Casey's Gift
22, 30, 38
Cellar stair
17
Chimneys
19, 21-24
Chimney stacks
22a, 23
Chinese Chippendale railing
55
Chinese paling
55
Chippendale
56, 57
Chronological Summary
2, 3, 4
Coke-Garrett House
43, 45, 55
Color
see Paint Color
Corner boards
32
"vestigial"
32, 33
Cornice
House
30, 31
Interior
57, 58
Main
30
Rear
32, 35
Shop
31
Cornice end board
31, 32, 33
Craig, Alexander
3, 74
Craig House, Alexander
Archaeological evidence
4, 5, 7-12
Archway
58
Artifacts
74
Basement
10
Foundations
23
Grilles
49, 50
Paving
8
Stair
14
Steps
45
Windows
9
Brick
Bond
21
Color
19, 20
Gutters
25
Mortar
19
Rubbed
20
Sizes
20
Walks
11, 12
78
Bulkhead
14, 25, 45
Chimneys
19, 21-24
Chimney stacks
22a, 23
Chronological Summary
2, 3, 4
Corner boards
32
Cornice
House
30, 31
Interior
57, 58
Main
30
Rear
32, 35
Shop
31
Dates of Reconstruction
Title p.
Dimensions of house
12
Doors
1, 17, 58, 61, 62
Dormers
17, 36-38, 46
Fireplace
7, 14, 17, 23
Floors
53, 54
Frame work
26-29, 35, 45, 54
Gutters
25
Hardware
64-67
Hearths
19, 23-25, 29
House Plan
16-18
Location of house
1, 2
Mantel
57, 59, 60
Mortar
19
Paint colors
68
Rake boards
33, 37, 38, 46
Reconstruction date
Title page
Roofs
14, 30, 33-38
Shingles
34, 38, 42
Shutters
50, 51
Staircase
54-57
Walls
9-11, 17, 26, 28, 29, 54
Weatherboarding
30, 32, 29, 43
Windows
28, 38, 46-52
Croaker House
55
DATES of Reconstruction
Title Page
Dating of a building
69, 70, 71
Definitions
72, 73
Diagrams of brick sizes
20
Dimensions of house
12
Doors
1, 17, 58, 61, 62
Dimensions
61, 62
Exterior
51
Front
17
Hardware
64-66
Interior
51
Location
61, 62
Old or New
61, 62
Panel moldings
51
Panel profiles
63
Panel types
61, 62
Trim
51, 52
Doorways, glazed
1, 13
Dormers
17, 46
Location
36, 37
Roofs
38
Sills
38
Trim
37, 38
Type
36, 38
Duke, Francis
Title Page, 2, 4, 5, 9, 11, 12, 34, 36, 74
FARISH, Hunter D.
Title Page, 2, 75
Ferguson, Finlay F.
Title Page, 53, 75, 76
Fireplace
7, 14, 17, 23
Size
59
Floors
Levels
23, 53
Materials
53
Nailing methods
53, 54
Sizes of boards
53, 54
Flournoy, Jacob
3, 5, 70
Follen's House
43
Foundations
Brick bond
21
Cellar
5
Condition
21
Discussed
2, 4-12
Walls
5, 11, 12, 20, 21, 25
Framework of house
26-29, 35, 45, 54
Frenchman's map
3, 4, 6, 7
GALT
4
Galt Map, Annie
75
Glass sizes
48
Gothic paling
57
Greenhow
4
Gutters, ground level
25
HALFPENNY, Thomas
57
Halfpenny, William
55, 57
Hardware
Details
64-67
General consideration
64
Materials
64
Schedule giving type & location
64-67
Hearths
19, 23, 24, 25, 59
Holmes, C. Vaughan
Title page
House Plan
16, 17, 18
Dimensions
18
Indiana limestone
25
Interior of House
Archway
58
Cornices
57, 58
Doors
61, 62, 63
Floors
53, 54
79
Hardware
64, 65, 66, 67
House plan
16
Mantels
57, 58
Paint colors
68
Stairway
54, 55, 56
Window trim
49
KENDREW, A. Edwin
Title page, 75
Knight, James M.
Title page, 4, 74
LANGLEY, Batty
43
Leanto
13, 14, 21, 22a, 50
Lee House
44
Lee, Victoria House
4
Lightfoot House
31
Location of house
1, 2
MAINE Farm
50, 51
Mantels
Character
59, 60
Location
57, 59, 60
Old or new
57, 59, 60
Precedent
57, 59, 60
Maps
Bucktrout
75

Frenchman's Map
3, 4, 6, 7, 75

Galt, Annie
75

Tyler
75
Marot, Anne
3
Marot, John
3
Maupin, Gabriel
3, 74
Moody House
36
Moorehead, Singleton P.
Title Page, 56, 75, 76
Mortar
19
NEVE, Richard
24
ORR'S Dwelling, Captain
45
PAINT Colors
68
Pasteur, John
3, 74
Peake, William
3
Pendleton House, Caroline Co.
22a
Perry, Shaw & Hepburn
Title Page, 75
Photo of house before restoration
1
Porch
Before restoration
12, 13
Rear
40-45
Portland stone
25
Prentis House
36
President's House
26, 29
Purbeck stone
25
Quarters
48
Rakeboards
33, 37, 38, 46
Raleigh Tavern
1, 2, 3, 12
Randolph-Peachy House
48
Rear view of house
Before restoration
13
Reconstruction dates
Title page
Reed, Washington,
Title page
Repiton
36
Roofs
14, 30
Basis for design
34, 35, 36
Covering
34
Dormer
37, 38
Porch
41
Slope
12, 33, 36
Type
1, 33
SCRIVENR HOUSE
1, 23, 44, 53
Shop
3
Scrivener, James
3
Shields, James
3
Shingles
34, 38, 42
Shop
Door
28, 51
Steps
39, 40
Shutters
Location
50

Panelled
50, 51
Staircase
Baseboard
57
Basis for design
54
Chair railing
57
Dado treatment
57
Hand railing
54, 55
Lattice type
56
Newel post
57
Railing
55
Risers
17, 54
Stringer detail
54, 57
Type
54
Stairway, "mixed"
17
Stone nosing
26
Profile of
26
Stonework
25, 26
Stoop
5, 25, 26, 38, 39
Swem, E. G.
75
Taliaferro-Cole Shop
45
Thacker, James
42
Travis House
30, 31, 36
Trim
30
Tyler Map
75
80
VAIDEN House
1, 2, 3
Vaiden, Miss
4, 13, 75
Viewmont, Albemarle County
43
Virginia Gazette
2, 57
WAGNON, John
3, 7, 70, 74
Wales
31, 47, 51
Walls
5, 7, 9-11, 17, 26, 28, 29, 54
Weatherboarding
13, 15, 26, 29, 30, 32, 39, 43, 48
Well
11
Westover
26
Wharton, William
3
White, John
3
Window
28, 38, 46-52
Exterior
48

Interior
49

Sills
48

Stool
51

Trim
48, 49, 51
Wynn, James City County
22